Background
Sedaine was born in Paris in 1719. His father, an architect, died when Sedaine was quite young and left no fortune to inherit, the young Sedaine therefore began life as a mason's labourer.
( This is a reproduction of a book published before 1923....)
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Guillaume Tell: Drame En Trois Actes, En Prose Et En Vers Michel Jean Sedaine History; Europe; France; History / Europe / France
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(Le philosophe sans le savoir; La gageure imprevue / Sedai...)
Le philosophe sans le savoir; La gageure imprevue / Sedaine Date de l'edition originale: 1895 Collection: Bibliotheque nationale Ce livre est la reproduction fidele d'une oeuvre publiee avant 1920 et fait partie d'une collection de livres reimprimes a la demande editee par Hachette Livre, dans le cadre d'un partenariat avec la Bibliotheque nationale de France, offrant l'opportunite d'acceder a des ouvrages anciens et souvent rares issus des fonds patrimoniaux de la BnF. Les oeuvres faisant partie de cette collection ont ete numerisees par la BnF et sont presentes sur Gallica, sa bibliotheque numerique. En entreprenant de redonner vie a ces ouvrages au travers d'une collection de livres reimprimes a la demande, nous leur donnons la possibilite de rencontrer un public elargi et participons a la transmission de connaissances et de savoirs parfois difficilement accessibles. Nous avons cherche a concilier la reproduction fidele d'un livre ancien a partir de sa version numerisee avec le souci d'un confort de lecture optimal. Nous esperons que les ouvrages de cette nouvelle collection vous apporteront entiere satisfaction. Pour plus d'informations, rendez-vous sur www.hachettebnf.fr
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(This is a reproduction of a book published before 1923. T...)
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Le Mort Marié: Comédie En Deux Actes Et En Prose Michel Jean Sedaine Delalain, 1775 Music; Genres & Styles; Opera; Music / Genres & Styles / Opera
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(Excerpt from Théâtre de Sedaine Il y fit ses premiers dé...)
Excerpt from Théâtre de Sedaine Il y fit ses premiers débuts sur la petite scène de la foire saint-laurent, le 19 août 1756, par un opéra-comique le Diable quatre, imité de l'anglais, et dont le compositeur Duni(1) écrivit les ariettes. Le succès en fut assez Vif, la pièce est bien disposée pour la musique et quelques airs en sont même très agréables. On y trouve surtout un couplet, sur le tabac, qui se chante encore aujourd'hui (2) About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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(uvres choisies de Sédaine This book, "uvres choisies de...)
uvres choisies de Sédaine This book, "uvres choisies de Sédaine", by Michel Jean Sedaine, is a replication of a book originally published before 1813. It has been restored by human beings, page by page, so that you may enjoy it in a form as close to the original as possible.
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Sedaine was born in Paris in 1719. His father, an architect, died when Sedaine was quite young and left no fortune to inherit, the young Sedaine therefore began life as a mason's labourer.
He was at last taken as pupil by an architect whose kindness he eventually repaid, by the help he was able to give to his benefactor's grandson, the painter David.
Sedaine's especial talent was, however, for light opera. He wrote Le diable à quatre, set mainly to vaudevilles with additional music by Philidor, Laruette and Baurans. First performed at the Foire Saint-Laurent on 19 August 1756, it was produced numerous times with music by different composers and became one of the most performed comic operas in the latter half of the 18th century.
Other such works followed, including Blaise le savetier (1759) with music of Philidor; On ne s'avise jamais de tout (1761) and others with Pierre-Alexandre Monsigny; Aucassin et Nicolette (1780), Richard Coeur-de-lion (1784), and Amphitryon (1788) with André Grétry.
Among his more important works in the genre were two set by Monsigny: Le roi et le fermier (1762), notable for its portrayal of royal recognition of common justice and its 3-act length, and Le déserteur (1769), which included a through-composed finale with chorus.
Sedaine's work in opéra comique attracted the attention of Diderot, and two plays of his were accepted and performed at the Théâtre Français. The first and longest, the Philosophe sans le savoir, was acted in 1765; the second, a lively one-act piece, La gageure imprévue in 1768. These two at once took their place as stock pieces and are still ranked among the best French plays, each of its class. Except these two pieces little or nothing of his has kept the stage.
He wrote two historical dramas, Raymond V, comte de Toulouse ou L'épreuve inutile, and Maillard, ou Paris sauvé.
(Le philosophe sans le savoir; La gageure imprevue / Sedai...)
(Excerpt from Théâtre de Sedaine Il y fit ses premiers dé...)
(uvres choisies de Sédaine This book, "uvres choisies de...)
( This is a reproduction of a book published before 1923....)
(This is a reproduction of a book published before 1923. T...)
("Le Philosophe sans le savoir" de Michel-Jean Sedaine. Au...)
Sedaine became a member of the Academy (Académie française) (1786), and secretary for architecture of the fine arts division.