Miloš Živković is a Serbian novelist, short-story writer, and columnist born in Belgrade in 1974. He is known for the story collection Crvene priče and the novels Bife Frojd and Samoubistvo u Orijent ekspresu, as well as for his satirical writing and newspaper columns.
Background
Miloš Živković was born in Belgrade on December 12, 1974. He developed a literary and journalistic career in Serbia, combining fiction with newspaper writing and commentary. His prose frequently draws on historical, cultural, and social subjects, which he treats through irony, satire, grotesque situations, and comic reversals.
Education
Živković graduated from the Faculty of Dramatic Arts in Belgrade. His education in the dramatic arts preceded a career that combined literary writing, journalism, and participation in discussions of satire in journalism and literature.
Career
Živković began his journalistic career at Radio Studio B. He later became a columnist for the Serbian daily newspaper Danas, where he has written on political, historical, cultural, and social subjects in a distinctive satirical style. Alongside journalism, he established himself as a fiction writer with the story collection Crvene priče and the novels Bife Frojd and Samoubistvo u Orijent ekspresu. At the invitation of the British newspaper The Guardian, he participated in seminars devoted to satire in journalism and literature. Bife Frojd was shortlisted for the NIN Award, while Samoubistvo u Orijent ekspresu was a finalist in the VBZ competition for the best unpublished novel in 2023.
Views
Živković has expressed the view that happiness and sadness are equally important human emotions and has rejected simplistic literature centered on instant happiness, limitless optimism, and effortless enrichment. His fiction and commentary approach social myths, ideological certainties, and public self-deception through satire and irony.
Personality
His published commentary and interviews present a strongly satirical, ironic, and skeptical literary outlook. He has publicly criticized patriotic, religious, and dilettantish forms of political and cultural opportunism.
Quotes from others about the person
Arsen Dedić reportedly encouraged Živković to continue writing after reading Bife Frojd, telling him to write against everyone.