Murasaki Shikibu was a Japanese novelist, poet and lady-in-waiting at the Imperial court during the Heian period. She is best known as the author of The Tale of Genji, written in Japanese between about 1000 and 1012.
Background
Murasaki Shikibu was born circa 973 in Heian-kyō, Japan, into the northern Fujiwara clan descending from Fujiwara no Yoshifusa, the first 9th-century Fujiwara regent.
The name Murasaki, literally "Violet, " could refer to one of the heroines of The Tale of Genji or to the first element of her maiden name, Fujiwara, one of the greatest names in Japanese history. Murasaki was born into a lesser but distinguished and cultured branch of this family in the last quarter of the 10th century. Her father, Fujiwara Tamatoki, an official and poet, was at one time a provincial governor; his grandfather was a poet.
Education
Murasaki records in her diary her lessons in Chinese with her brother. She was so quick to learn that her father regretted that she was not a boy. Presumably Murasaki was educated in the usual Chinese and Buddhist classics as well as in Japanese literature, though this kind of learning was not stressed for young women in those days.
Career
In 1004 Murasaki's father was appointed governor of the province of Echizen, 80 miles from the capital, a great distance in the 11th century. Arrangements were made for Murasaki to enter the service of Akiko, the young consort of Emperor Ichijo, as lady-in-waiting. Murasaki's diary, begun in 1008 and continued for 2 years thereafter, recounts her life at court. At the death of Emperor Ichijo in 1011, the Empress, with her suite of ladies, went into retirement. At this time Murasaki's father was appointed governor of the province of Echigo; in 1016 he retired from the world to take holy orders. Little or nothing of Murasaki's life is positively known from the time she entered the service of Empress Akiko. Murasaki is thought to have died about 1031.
Murasaki's knowledge of the great world is amply exhibited in The Tale of Genji (Genji monogatari) as well as in her Diary, and it may be assumed that she chronicled something resembling her own life, however idealized. Murasaki may have begun her novel about 1003 and continued writing it, with interruptions, until her death, at which time it might or might not have been finished.
The size and scope of The Tale of Genji are enormous. Divided into 54 books or episodes, the novel is twice as long as War and Peace. The action, covering the better part of a century, with over 400 characters and four generations, is meticulously and consistently elaborated by Murasaki. The hero, Hikaru Genji, the Shining One, pursues love and happiness impelled always by the haunting image of his dead mother, Kiritsubo, the consort of an emperor. Her early death overshadows Genji's youth. By virtue of his exuberant personality Genji becomes supremely popular at court, indulges in a series of amorous encounters, and wins the admiration of his peers when he dances the "Waves of the Blue Sea. "
Soon, Genji too passes from the Realm of Maya, and the center of attention is turned to his descendants, Kaoru, his supposed son, and Niou, his grandson. Both have aspects of Genji's personality but cannot take his place. This portion of the novel, called the "Uji Chapters" because much of the action takes place at the small village of Uji, depicts the confrontation of Kaoru and Niou for the affections of the girl Ukifune. Kaoru, sensitive, retiring, obsessed by the mystery of his paternity, would sacrifice his high position for Ukifune. But she is confused by her feelings for him and for the high-spirited and charming Niou, who in so many ways resembles Genji.
Having yielded to Niou's blandishments, Ukifune can resolve her dilemma only by an attempt at suicide and, when that fails, by retirement from the world to live out her life as a nun. Kaoru is left in grief, bewilderment, and uncertainty, for although he comes to suspect that Ukifune may still be alive, he is never able to learn the truth. Thus, the lengthy novel, which began with the enchanting atmosphere of a fairy tale, ends in the most complex psychological analysis of unhappy people shrouded in blackest gloom.
Connections
Murasaki was married at about the age of 20, but her husband died soon after, in 1001, leaving her with a daughter. After her husband's death, Murasaki lived in retirement for some years.