Education
In 1891 she graduated from the Saint St. Petersburg Conservatory, having been in the class of Natalia Iretskaya. She also studied in Paris with Mathilde Marchesi.
In 1891 she graduated from the Saint St. Petersburg Conservatory, having been in the class of Natalia Iretskaya. She also studied in Paris with Mathilde Marchesi.
Vocally, she is best described as a lyrical (coloratura) soprano, with a particularly high tessitura. She sang her debut in 1893 at the I. Setov operatic troupe in Kiev. In the season 1894-1895 she sang in Tiflis, in 1895-1896 in the Street St. Petersburg Private opera, and in 1896-1897 in Kharkov.
During 1897–1904 she was a leading soprano in Savva Mamontov"s Private Russian Opera.
In 1904-1911 she became the soloist of the Mariinsky Theatre in Street St. Petersburg. Her roles include:
Gorislava in Ruslan and Ludmila;
Tatiana in Eugene Onegin;
Maria in Mazeppa;
Volkhova in Sadko;
Swan Princess in The Tale of Tsar Saltan;
Snegurochka in The Snow Maiden;
Marfa in The Tsar"s Bride;
Princess in Kashchey the Deathless;
Fevronia in Kitezh;
Margarita in Faust;
Nedda in Pagliacci;
Desdemona in Otello, and many others
"Always so reasonable and sober-minded, Rimsky-Korsakov fell head over heels in love with Nadezhda. Marriage was out of the question, though, because he had a talented and very intelligent wife and growing up kids in Street.Petersburg and Nadezhda was married to the outstanding Russian artist Mikhail Vrubel.
Foreign many years Nadezhda Zabela-Vrubel and her inimitable voice inspired the composer to write a whole constellation of beautiful arias that immortalized Rimsky-Korsakov’s name and also that of the woman he loved so much.." (Musical Tales).
Quotations: "Always so reasonable and sober-minded, Rimsky-Korsakov fell head over heels in love with Nadezhda. Marriage was out of the question, though, because he had a talented and very intelligent wife and growing up kids in Street.Petersburg and Nadezhda was married to the outstanding Russian artist Mikhail Vrubel. Foreign many years Nadezhda Zabela-Vrubel and her inimitable voice inspired the composer to write a whole constellation of beautiful arias that immortalized Rimsky-Korsakov’s name and also that of the woman he loved so much.." (Musical Tales).