Education
Barnard College; Columbia University.
( Winner of the 2012 Jewish Journal Book Prize After her...)
Winner of the 2012 Jewish Journal Book Prize After her father’s death, Nancy K. Miller discovered a minuscule family archive: a handful of photographs, an unexplained land deed, a postcard from Argentina, unidentified locks of hair. These items had been passed down again and again, but what did they mean? Miller follows their traces from one distant relative to another, across the country, and across an ocean. Her story, unlike the many family memoirs focused on the Holocaust, takes us back earlier in history to the world of pogroms and mass emigrations at the turn of the twentieth century. Searching for roots as a middle-aged orphan and an assimilated Jewish New Yorker, Miller finds herself asking unexpected questions: Why do I know so little about my family? How can I understand myself when I don’t know my past? The answers lead her to a carpenter in the Ukraine, a stationery peddler on the Lower East Side, and a gangster hanger-on in the Bronx. As a third-generation descendant of Eastern European Jews, Miller learns that the hidden lives of her ancestors reveal as much about the present as they do about the past. In the end, an odyssey to uncover the origins of her lost family becomes a memoir of renewal.
http://www.amazon.com/gp/product/080323001X/?tag=2022091-20
( What can reading for the gender of signature tell us ab...)
What can reading for the gender of signature tell us about the act of reading as a poetics and politics? In Subject to Change Miller demonstrates the textual effects of female authorship in the production, reception, and circulation of women's writing. In the wake of Roland Barthes's famously Dead Author, Miller argues for the cultural vitality of feminist writing subjects.
http://www.amazon.com/gp/product/0231066619/?tag=2022091-20
( French Dressing looks at the ancien régime's scenarios ...)
French Dressing looks at the ancien régime's scenarios of libertine seduction--unsafe sex and its consequences for women's lives. It places the gender performances of male and female-authored novels in dialogue in order to recover the complexity of a century obsessed, as we are today, with writing and living plots of desire. French Dressing exposes the erotic anxieties behind a national culture of sexual self-display--French undressing.
http://www.amazon.com/gp/product/041590322X/?tag=2022091-20
literary scholar Distinguished Professor
Barnard College; Columbia University.
Currently a Distinguished Professor of English and Comparative Literature at the City University of New York Graduate Center, Miller is the author of several books on feminist criticism, women's writing, and most recently, family memoir, biography, and trauma. Prior to that, she taught in the French department at Columbia University. Miller founded the Gender and Culture Series at Columbia University Press in 1983 along with feminist scholar Carolyn Heilbrun, and continues to co-edit the series.
Miller has been a visiting professor at Harvard University, Hebrew University, and Tel Aviv University, and a Phi Beta Kappa Visiting Scholar.
She received her Bachelor of Arts from Barnard College, her Master of Arts from Middlebury College, and her Doctor of Philosophy in French at Columbia University.
Between 2004 and 2007, she and geographer Cindi Katz co-edited the journal Women's Studies Quarterly, which received the Phoenix Award for Significant Editorial Achievement from the Council of Editors of Learned Journals under their leadership. She is the winner of numerous fellowships and awards, including the Rockefeller Foundation Humanities Fellowship, the John Simon Guggenheim Memorial Foundation Fellowship, and the National Endowment for Humanities Senior Fellowship.
( What can reading for the gender of signature tell us ab...)
( French Dressing looks at the ancien régime's scenarios ...)
( Winner of the 2012 Jewish Journal Book Prize After her...)
(First published in 1991. Routledge is an imprint of Taylo...)
In 1981, Miller became the first full-time tenured member of the Women's Studies program at Barnard College and was appointed its director, a post she held until her appointment at City University of New York in 1988.