Background
Woolfalk was born in Gifu City, Japan, to a Japanese mother and a mixed-race African American and white father. She grew up in Scarsdale, New York, and has an art studio in Manhattan.
Woolfalk was born in Gifu City, Japan, to a Japanese mother and a mixed-race African American and white father. She grew up in Scarsdale, New York, and has an art studio in Manhattan.
Woolfalk was educated at Brown University (Bachelor Visual Art and Economics 2001) and earned her Master of Fine Arts in Sculpture at the School of the Art Institute of Chicago in 2004.
Woolfalk moved to New York in the 2006, to participate in the Whitney Museum of American Art Independent Study Program, and was an artist-in-residence at the Studio Museum in Harlem from 2007-2008. Woolfalk’s work has exhibited at galleries and museums around the United States and abroad, including PS1/MoMA in New York, the Museum of Contemporary Art, Chicago, Studio Museum in Harlem, Frist Center for the Visual Arts in Nashville, Weatherspoon Art Museum, Greensboro, North Carolina, and the Contemporary Arts Museum Houston. And she participated in PERFORMA09.
In the New York Times, art critic Holland Cotter wrote of Woolfalk"s piece, "Chimera," at Third Streaming Gallery, that "Mississippi
Woolfalk has created her own society of mythological beings called the Empathics, who not only blend racial and ethnic differences, but also dissolve the line between humans and plants. These sculptural figures, with their blossom heads, are fantastic but, as with all fundamentally spiritual art, a complex moral thread runs through the fantasy."
Art critic Roberta Smith of The New York Times called the piece, "Ethnography of Number Place," that Woolfalk developed with anthropologist and filmmaker, Rachael Lears, “a little tour de force of performance, animation, born-again Pattern and Decoration, soft sculpture and anthropological satire.”
Lowery Stokes Sims has written that "Woolfalk is single-handedly guiding us back to the original promise of modern art
Suprematism and Constructivism in Russia, De Stijl in the Netherlands introduced formal devices such the elimination or blunting of figural reference, the use of simple geometric shapes and primary colors in the belief that these encourage a transnational, un-xenophobic perspective that would lead us to open-minded future. Therefore we underestimate Saya Woolfalk at our peril, because it is conviction such as hers that can move cultures and shift the meta-narrative."
With funding from the National Education Association, her solo exhibition, "The Institute of Empathy," ran at Real Art Ways Hartford, Connecticut from the fall of 2010 to the Spring of 2011.
Her first major solo exhibition at a North American museum opened at the Montclair Art Museum in October 2012.