Career

He authored several songs of great significance within the Cuban music Between the years 1954 and 1956, he studied under the guidance of Douane Voth (piccolo), and Martín Quiñones (singing lessons). In the late 1960s and early 1970s, he was a student of Leo Brouwer, Juan Elósegui, Federico Smith and Sergio Vitier, not in the traditional academic way but as part of a workshop that was known as the Grupo de Experimentación Sonora del ICAIC (a Group of Sound Experimentation that worked for the Cuban Institute of Cinematographic Art and Industry).