Education
Born in Kiev and initially trained as an engraver, Chaikov studied in Paris in the years 1910 through 1914.
Born in Kiev and initially trained as an engraver, Chaikov studied in Paris in the years 1910 through 1914.
In 1912 he co-founded a group of young Jewish artists called Mahmad, and published a Hebrew-language magazine with that name. In 1913 he participated in the Salon d"Automne. He returned to Kiev in 1914.
In 1921 he published the Yiddish-language book Skulptur, advocating avant-garde sculpture as a contribution to a new Jewish art
This book was also the first book on sculpture to be published in Yiddish. Chaikov moved to Moscow to teach at Vkhutemas from 1923 to 1930, alongside fellow sculptors Boris Korolev and Vera Mukhina.
All three designed and taught cubist sculpture in the distinctively Russian Cubo-Futurism style, radically geometric and highly dynamic. From 1929 Chaikov was the head of the Society of Russian Sculptors.
In the 1930s his work was prominently shown at the two Soviet world"s fair pavilions, for the 1937 Paris Exposition and the 1939 New York World"s Fair.
His work in Paris was an extensive frieze of nine-foot figures, the People of the Union of the Soviet Socialist Republics, carved on two steles flanking the entrance to the pavilion. Fragments of the Paris work were unearthed in rural France in the 2000s, after having been presented to the French labor union after the fair, relocated to a holiday château, broken up by pro-Nazi youth during the occupation, and buried for 50 years. Chaikov continued to work in a variety of genres, techniques and scales.
He was named an Honored Artist of the Union of the Soviet Socialist Republics in 1959, and his work is in the permanent collection of Museum of Modern Art. He died in Moscow.
He was co-founder, along with El Lissitzky, Boris Aronson and others, of the Jewish socialist Kultur Lige in Kiev, led sculpture classes there, supervised a children"s art studio and illustrated children"s books, and in post-revolutionary Kiev focused on billboards and agitational propaganda. In 1932, after the end of the period of artistic freedom, all of these cubists turned back to Socialist Realism and produced more classically styled work.
