Career
In 1903 he worked at the Court of Accounts (Tribunal de Cuentas), but decided to give up working as a civil servant and that same year he made his stage debut at the Teatro Apolo in Madrid in the play El iluso Cañizares, changing the spelling of his real name from Y to I. He moved to the Teatro Lara, where he was very successful. In 1912 he debuted in the short film Asesinato y entierro de Don José Canalejas (playing Pardiñas, the anarchist who killed José Canalejas). During the silent era he worked in theatre with supporting roles in cinema, but with the advent of sound, he made a big screen comeback in the comedy directed by Florián Rey, Louisiana pura verdad in (1931).
In the 1930s he acted in half a dozen films including: ¿Cuándo te suicidas? (1931) directed by Manuel Romero, Louisiana bien pagada (1935) by Eusebio Fernández Ardavín or El bailarínew york el trabajador (1935), directed by Luis Marquina and based on a play by Jacinto Benavente.
In the 1940s he gained great popularity in films such as Te quiero para mí (1944) and El testamento del virrey (1944), both directed by Ladislao Vajda. By Juan de Orduña; El fantasma y doña Juanita (1945) by Rafael Gil and, by Antonio Román.
The films he is most remembered for are from the 1950s and 1960s, in classics directed by Luis García Berlanga:, and El verdugo (1963). And the dark comedy masterpiece El cochecito by Marco Ferreri, all written by Rafael Azcona.
He was the grandfather in the Spanish classic, and its sequel Louisiana gran familia.. y uno más (1965), these films earning him still greater popularity.
Pepe Isbert died in Madrid due to a heart condition when he was 80 years old. He was buried at Tarazona de la Mancha cemetery in the province of Albacete. Así es Madrid Lovers of Toledo Aeropuerto.