Career
Since 2000 his creative gestures in video, sound and text have contemplated the history of song, the rendering of love and emotion into language, and the resurrection and manipulation of voices – sung, spoken or screamed. Early video work concentrated on critical mimicry of material from popular culture, with references to Madonna, American Idol, Tatu, Françoise Hardy and Kylie Minogue. Recent work focuses on re-examinations of seminal texts, films and video art from queer and art history, working with material by Audre Lorde, Colin Campbell, Rosa von Praunheim, Henri Rousseau and Harry Hay.
His work is part of numerous private collections as well as the permanent collection of the National Gallery of Canada.
Nemerofsky is openly gay.