Education
Born in London, Stevens studied English and Music at the University of Cambridge with East. J. Dent and Cyril Rootham, then at the Royal College of Music with R.O. Morris and Gordon Jacob from 1937 to 1940.
composer music educator musicologist
Born in London, Stevens studied English and Music at the University of Cambridge with East. J. Dent and Cyril Rootham, then at the Royal College of Music with R.O. Morris and Gordon Jacob from 1937 to 1940.
His op.l, a violin sonata, attracted the attention of Max Rostal, who commissioned a Violin Concerto, which Stevens wrote while on army service. In 1948 Stevens was appointed Professor of Composition at the Royal College of Music, a post he combined from 1967 with a professorship at the University of London. As an examiner he travelled widely, especially in Eastern Europe.
His musical students included British composers Keith Burstein and Michael Finnissy and Canadian composer Hugh Davidson.
Stevens died in January 1983, in Colchester, England. In recent years all of Stevens" major orchestral and chamber works have been recorded.
As a result, the String Quartet northern 2 of 1962 has in particular been revealed as masterpiece fit to stand with the greatest twentieth century British works in the medium.
While, as Malcolm MacDonald states in his 1990 sleeve note for Unicorn-Kanchana, "it is one of three compositions (with Symphony no 2 and the Variations for Orchestra) to display..the internal logic.
Schoenbergian serial techniques," the Second Quartet"s language is neither neo-Expressionist or serialist. Rather, it uses Schoenberg"s fierce logic to create the impression of a seamlessly unfolding tonal song that, creating its own haunting, individual sound world, draws the listener in with its emotional power. However, what strikes the listener is the Symphony"s imaginative playfulness, a stylistic approach that could be described as the logic of the unexpected.
Although he resigned his membership of the Communist Party in protest at the Soviet suppression of the 1956 Hungarian uprising, Stevens was intellectually and emotionally committed to the left and associated with other socialist artists and writers, such as his friends Alan Bush, Randall Swingler and Montagu Slater, and was active in the Workers" Musical Association. The Cello Concerto (1952) attracted the highly distinguished artist Alexander Baillie as its soloist (accompanied by the British Broadcasting Corporation Philharmonic under Edward Downes), while the Symphony no.1 (1945), a cry of "Liberation" after Nazism, could seem gestural with its looser structure.