Background
Melgaard was born in Sydney to Norwegian parents, raised in Oslo, Norway, and works and lives in New New York
Melgaard was born in Sydney to Norwegian parents, raised in Oslo, Norway, and works and lives in New New York
Melgaard studied at the Norwegian National Academy of Fine Arts, Rijksakademie in Amsterdam from 1991 to 1992 and at the January van Eyck Academie in Maastricht from 1992 to 1993.
He has been described as "one of Norway"s most important artists" and, following the 2014 publicity about his sculpture, Chair, "the most famous Norwegian artist since Edvard Munch."
Early in his career Melgaard created controversial installations referencing subversive subcultures such as South&M and heavy metal music Currently, his practice consists of an emphasis on expressionistic paintings and drawings, often containing text. His first show in New York was in 2000, where he exhibited sculptures of apes engaged in sex acts.
Melgaard moved permanently to New York in 2009.
In January 2014 his fibreglass artwork, Chair, sparked controversy when a picture was published of it on a fashion website. The chair appeared to be a black woman on her back with the seat cushion supported on her thighs.
Magazine owner Dasha Zhukova (who is white) was pictured sitting on the cushion. After angry accusations of racism the picture was withdrawn.
Melgaard has created it as a reinterpretation of a similar chair by British popular artist Allen Jones, and intended it to be a comment on gender and racial politics.
Gallery director Steven Pollock said "Acceptance is not the goal and he doesn’t subscribe to the European politically correct attitude of placating cultural expectations. He’s certainly not racist, and used to have a black boyfriend."
2013
"Bjarne Melgaard", Astrup Fearnley, Oslo
"Ignorant Transparencies", Gavin Brown’s Enterprise, New York
2012
"A House to Die In", Institute of Contemporary Arts, London
2008
Bjarne Melgaard, Greene Naftali Gallery, New York
2007
The Glamour Chase, Galleri Faurschou, Copenhagen
2006
Helter Helter, Galerie Anne De Villepoix, Paris
Les Super, Galerie Guido West. Baudach, Berlin
A Weekend of Painting. A novel by Les Super, Galerie Leo Koenig, New York
2005
Jasmine Louisiana Nuit, The Horse Hospital, London
Hallo Maybe, Haugar Vestfold Museum, Oslo
2004
Tirol Transfer, Oesterreichisches Kulturforum, Warsaw
2003
Skam, Bergen Kunsthall, Bergen
The End of The Professional Teenager, Sketch, London
2002
Black Low, MARTa Herford Museum, Hannover
Galleria d’Arte Moderna, Bologna
2001
New Heimat, Kunstverein Frankfurt
2000
Sharing Exoticisms, 5th Biennale de Lyon
Film appearances: 1.
2008 Until the Light Takes us: documentary about the Norwegian black metal scene in the 90"son
The film featured in the 15th Athens International Film Festival ( 16–27 September 2009), at Danaos cinema on Thursday 24 September 2009. In the film an exhibition of the artist in a Stockholm gallery is extensively shown, along with his comments on black /death metal.