(Long Piddleton had always been wary of newcomers. But the...)
Long Piddleton had always been wary of newcomers. But the quiet town was stunned when the first stranger was found dead, upended in a butt of ale in the cellar of the Men with a Load of Mischief. Then the second body appeared, swinging in place of the mechanical man above the door of the Jack and Hammer. Suddenly Long Piddleton had good reason to be wary of everyone! Its cozy pubs and inns with their polished pewter and blazing hearths had become scenes of the most bizarre crimes.
(It is a chilly and foggy Twelfth Night, wild with North S...)
It is a chilly and foggy Twelfth Night, wild with North Sea wind when a bizarre murder disturbs the outward piece of Rackmoor, a tiny Yorkshire fishing village with a past that proves a tangled maze of unrequited loves, unrevenged wrongs, and even undiscovered murders. Inspector Jury finds no easy answers in his investigation - not even the identity of the victim, a beautiful young woman. Was she Gemma Temple, an impostor, or was she really Dillys March, Colonel Titus Crael’s long-lost ward, returning after eight years to the Colonel’s country seat and to a share of his fortune? And who was her murderer?
(A spinster whose passion was bird-watching, a dotty peer ...)
A spinster whose passion was bird-watching, a dotty peer who pinched pennies, and a baffling murder made the tiny village of Littlebourne a most extraordinary place. And a severed finger made a ghastly clue in the killing that led local constables from a corpse to a boggy footpath to a beautiful lady’s mansion. But Richard Jury refused, preferring to take the less-traveled route to a slightly disreputable pub, the Anodyne Necklace.
(The Dirty Duck is a pub in Shakespeare’s beloved Stratfor...)
The Dirty Duck is a pub in Shakespeare’s beloved Stratford, and in this pub Miss Gwendolyn Bracegirdle of Sarasota, Florida, fresh from a performance of As You Like It, takes her last drink. A few minutes later she is slashed ear to ear, the only clue: two lines from an unknown poem printed across a theater program. The razor-happy murderer, it seems is stalking a group of rich American tourists. And Scotland Yard Superintendent Richard Jury, just passing through Stratford for a glimpse of the intriguing Lady Kennington, instead takes a crash course in the bloodier side of Elizabethan verse.
(From the rough but colorful pub that provides the book’s ...)
From the rough but colorful pub that provides the book’s title to the snowboard Gothic estate nearby, the chilly English landscape has never held more atmosphere - or thwarted romance. And Jury will never have a more mysterious Christmas. Five Days Before Christmas: On his way to a brief holiday (he thinks) Jury meets a woman he could fall in love with. He meets her in a snow-covered graveyard - not, he thinks, the best way to begin an attachment.
(While the puzzling deaths of village pets may raise some ...)
While the puzzling deaths of village pets may raise some idle gossip over a pint or two at the Deer Leap, the village pub, this hardly seems a case for Superintendent Jury of Scotland yard. Nor does it seem much of a challenge for the combined deductive powers of Jury and Melrose, the affable former Earl of Caverness. It is his mystery-writing, amethyst-eyed friend, Polly Praed, who drags Plant and Jury to Ashdown Dean. The impatient Polly, having yanked open a call box in the pouring rain, is ill-prepared for what lands at her feet. The now-deadly case is cause for calling in Scotland Yard.
(Around bleak Dartmoor, where the Hound of the Baskerville...)
Around bleak Dartmoor, where the Hound of the Baskervilles once bayed, three children have been brutally murdered. Now Richard Jury of Scotland Yard joins forces with a hot-tempered local constable named Brian Macalvie to track down the killer. The trail begins at a desolate pub, Help the Poor Struggler. It leads straight to the estate of Lady Jessica, a ten-year-old orphaned heiress who lives with her mysterious uncle and ever-changing series of governesses. And as suspense spreads across the forbidding landscape, an old injustice returns to haunt Macalvie… with clues that link a murder in the distant past with a killing yet to come.
(In a rainy ditch in a Devon wood, a hitchhiker is found d...)
In a rainy ditch in a Devon wood, a hitchhiker is found dead. Almost a year later, on another rainy night, another murder; this time, however, the victim is found just outside a pub called I Am the Only Running Footman, near Berkeley Square in London’s fashionable Mayfair district. Devon policeman Brian Macalvie is convinced that the two murders are connected. And thus, in his eighth case, Richard Jury is drawn into the so-called Porphyria killings.
(When a dismembered corpse is found in the compartments of...)
When a dismembered corpse is found in the compartments of an antique writing bureau, Marshall Trueblood, recipient of the precious piece of furniture, is the first to protest: “I bought the desk, not the body, send it back.” Who would want to kill Simon Lean, the greedy nephew of the wealthy Lady Summerston? Leave it to Superintendent Richard Jury of Scotland Yard to suggest a connection to the murder of brassy Limehouse lady named Sadie Driver, found dead near Wapping Old Stairs… if that stone-cold body on the slipway is really Sadie. Not even her brother, Tommy, on a visit from Gravesend, can swear to it.
(In the tenth murderous case for Richard Jury, the New Sco...)
In the tenth murderous case for Richard Jury, the New Scotland Yard superintendent witnesses a killing in a West Yorkshire inn called the Old Silent, while his highborn, amateur colleague, Melrose Plant wishes to he could perform one as he drives his impossible Aunt Agatha to the Old Swan in Harrogate. Caught up in a triple murder, Jury would go to any lengths to help Nell Healey, the lovely widow of one of the victims. But Nell Healey remains silent as the Yorkshire moors, quiet as the grave, while the scope of the mystery widens.
(Following a passionate and troubled love affair with a pr...)
Following a passionate and troubled love affair with a pretty widow named Jane Holdsworth, Jury finds himself, unaccountably, a suspect in a murder investigation. Detained in London, Jury sends his friend Melrose Plant, former Earl of Caverness, to the Holdsworth family’s Lake District home to pose as an eccentric librarian. Plant discovers that his catalog cards contain less data on Wordsworth, Coleridge, and Southey than they do on tantalizing questions about the Holdsworths: What happened to Crabbe Holdsworth’s first wife? What happened to his son, Graham?
(The murder is in America, but the call goes out to Scotla...)
The murder is in America, but the call goes out to Scotland Yard superintendent Richard Jury. Accompanied by his aristocratic friend Melrose Plant and by Sargeant Wiggins, Jury arrives in Baltimore, Maryland, home of zealous Orioles fans, mouth-watering crabs, and Edgar Allen Poe.
(The setting: a small, sleepy American town where secrets ...)
The setting: a small, sleepy American town where secrets are almost impossible to keep. The center of town life: the Rainbow Cafe where Maud Chadwick works as a waitress, hiding behind a quiet manner the intensity and confusion of emotions she feels as her twenty-year-old son takes his final steps out of her life and into his own. Maud’s only confidant: Sam DeGheyn, the town sheriff, who, trapped in a loveless, childless marriage, turns his attentions to Maud, and to the murders of three local women, which have occurred in the past five years. Sam’s suspicion: that the wrong man may have been convicted of the crimes and the right man may soon kill again.
(When three women die of “natural causes” in London and th...)
When three women die of “natural causes” in London and the West Country, there appears to be no connection - or reason to suspect foul play. But Scotland Yard Superintendent Richard Jury has other ideas, and before long he’s following his keen police instincts all the way to Santa Fe, New Mexico. There, in the company of a brooding thirteen-year-old girl and her pet coyote, he mingles with an odd assortment of characters and tangles with a twisted plot that stretches from England to the American Southwest.
(A once-fashionable now fading resort hotel. A spinster au...)
A once-fashionable now fading resort hotel. A spinster aunt living in the attic. Dirt roads that lead to dead ends. A house is full of secrets and old, dusty furnishings, uninhabited for almost half a century. A twelve-year-old girl with a passion for double-chocolate ice-cream sodas, and decaying lake-fronts, and an obsession with the death by drowning of another young girl, forty years before. Hotel Paradise is a delicate yet excruciating view of the pettiness and cruelty of small-town America.
(The sun, smoking behind a haze of cloud, threw off a ligh...)
The sun, smoking behind a haze of cloud, threw off a light of burnished pewter. Mysteriously lit, it was as if the watery, colorless land refused drabness, stood determinedly against diminishment. This is a landscape that can easily deceive, a landscape that volunteers nothing as if to say, You’re on your own, mate - much like the habitues of the only pub for miles around called The Case Has Altered. The Lincolnshire fenlands are the right setting for Richard Jury’s latest case, a mystifying double murder.
(Saturday night. It was not a night to be spending alone, ...)
Saturday night. It was not a night to be spending alone, riding a bus. When he was a teenager at the comprehensive, Saturday night without a girl, without a date, without at least your mates to raise hell with, Saturday night alone would have been shameful. One wouldn’t want to be seen alone on a Saturday night…. Who are you kidding? That was never your life, Jury, not yours.
(In The Blue Last, Richard Jury finally faces the last thi...)
In The Blue Last, Richard Jury finally faces the last thing in the world he wants to deal with - the war that killed his mother, his father, his childhood. Mickey Haggerty, a DCI with the London City police, has asked for Jury's help. Two skeletons have been unearthed in the City during the excavation of London's last bombsite, where once a pub stood called The Blue Last. Mickey believes that a child who survived the bombing has been posing for over fifty years as a child who didn't. The grandchild of brewery magnate Oliver Tyndale supposedly survived that December 1940 bombing... but did she?
("Chew on this," says Melrose Plant to Richard Jury, who's...)
"Chew on this," says Melrose Plant to Richard Jury, who's in the hospital being driven crazy by Hannibal, a nurse who likes to speculate on his chances for survival. The jury could use a good story, preferably one not ending with his own demise. Plant tells Jury of something he overheard in The Grave Maurice, a pub near the hospital. A woman told an intriguing story about a girl named Nell Ryder, granddaughter to the owner of the Ryder Stud Farm in Cambridgeshire, who went missing more than a year before and has never been found. What is especially interesting to Plant is that Nell is also the daughter of Jury's surgeon.
(A young friend pulls Scotland Yard’s Richard Jury into th...)
A young friend pulls Scotland Yard’s Richard Jury into the life - and death - of a wealthy bachelor… The once-charismatic Billy Maples was last seen in a club named Dust, before his murder in a trendy London hotel. Proving as inscrutable - and challenging - to Jury as the case is the beautiful chief inspecting officer... Before his death, Maples was a patron of London’s finest art galleries and caretaker of author Henry James’s house in Rye. It’s there where Jury installs Melrose Plant, who takes his job to heart, as Jury closes in on the dark secrets behind Maples’s friends and family…
(Richard Jury is still dealing with the guilt of the accid...)
Richard Jury is still dealing with the guilt of the accident that sent Lu Aquilar into a coma. But then he gets assigned the case of a beautiful woman who was murdered on the grounds of a pub called the Black Cat. And the only witness is a black cat. The woman is unidentifiable-but Jury is going to see that the person responsible is known to all...
(For waitress and cub reporter Emma Graham, tragedy define...)
For waitress and cub reporter Emma Graham, tragedy defines where she lives. Spirit Lake, La Porte, and Lake Noir have been held in thrall by intertwined crimes: the murders of Mary-Evelyn Devereau, Rose Queen, and Fern Queen; the supposed kidnapping of a four-month-old baby from the Belle Ruin hotel twenty years previously; and, most recently, the attack on Emma. And with the arrival of an unexpected visitor and a drifter, it looks like the bad times have only begun...
(Despite inconclusive evidence, Tom is convinced his wife,...)
Despite inconclusive evidence, Tom is convinced his wife, Tess, was murdered seventeen years ago. The inspector in charge of the case was sure Tess’s death was accidental - a direct result of vertigo - but the official police inquiry is still an open verdict and Jury agrees to re-examine the case. Jury learns that a nine-year-old girl fell to her death five years before Tess at the same place in Devon where Tess died, at a small house party. Jury seeks out the five surviving party guests, who are now adults, hoping they can shed light on this bizarre coincidence.
(Writer Cindy Sella is having trouble with her new novel. ...)
Writer Cindy Sella is having trouble with her new novel. Aside from her paralyzing writer’s block, she’s faced with a lawsuit from her ex-agent, L. Bass Hess. Hess will stop at nothing to collect a commission from Cindy on her previous novel, which he did not represent since she had fired him long before it was published. Hitmen Candy and Karl - first introduced in Foul Matter - are asked to “get rid” of L. Bass Hess. They join forces with a publishing mogul, a bestselling author, an out-of-work Vegas magician, an alligator wrangler, a glamorous Malaysian con lady, and Hess’s aunt in the Everglades who has undergone a wildly successful sex change, and concoct a plan to save Cindy Sella from the odious machinations of Hess by driving him (slowly, hilariously) crazy.
(Martha Grimes and her son, Ken Grimes, recognized and ove...)
Martha Grimes and her son, Ken Grimes, recognized and overcame their addictions, now with two new chapters - one from each author. In this introspective and groundbreaking memoir of addiction, mystery writer Martha Grimes and her son, Ken Grimes, present two different, often intersecting points of view. Chapters alternate between Ken’s and Martha's voices and experiences in 12-step program and outpatient clinics.
(Robbie Parsons is one of London’s finest, a black cab dri...)
Robbie Parsons is one of London’s finest, a black cab driver who knows every street, every theater, every landmark in the city by heart. In his backseat is a man with a gun in his hand - a man who brazenly committed a crime in front of the Artemis Club, a rarefied art gallery-cum-casino, then jumped in and ordered Parsons to drive. As the criminal eventually escapes to Nairobi, Detective Superintendent Richard Jury comes across the case in the Saturday paper. Two days previously, Jury had met and instantly connected with one of the victims of the crime, a professor of astrophysics at Columbia and an expert gambler.
(When the body of a French woman washes up on a wild inlet...)
When the body of a French woman washes up on a wild inlet off the Cornish coast, Brian Macalvie, a divisional commander with the Devon-Cornwall police is called in. Who could have killed this beautiful tourist, the only visible footprints nearby belonging to the two little girls who found her? While Macalvie stands stumped in the Scilly Islands, inspector Richard Jury – twenty miles away on Land’s End - is at the Old Success pub, sharing a drink with the legendary former CID detective Tom Brownell, a man renowned for solving every case he undertook - well, nearly every case. Bronwell discloses that there was one he once missed.
Martha Grimes is an American writer of detective fiction. Grimes is best known for her series of novels featuring Richard Jury, an inspector with Scotland Yard, and his friend Melrose Plant, a British aristocrat who has given up his titles.
Background
Martha Grimes was born on March 2, 1931, in Pittsburgh, Pennsylvania to William and June Grimes. Her father was a city solicitor, and her mother owned a hotel in western Maryland where Martha and her brother spent most of their childhood. When her father died when she was 6, her family’s finances tumbled. Her mother, June, took her and her brother to help run the hotel but it eventually went out of business and was demolished.
Education
Martha earned at the University of Maryland her Bachelor and Master of Arts degrees.
After earning degrees at the University of Maryland, Grimes began teaching English at the University of Iowa, as well as an assistant professor of English at Frostburg University (formerly State College) in Frostburg, Maryland. Her last teaching position was a professor of English at Montgomery College in Tacoma Park, Maryland. It was Grimes’s first poem, “Send Bygraves,” that inspired her to write mystery novels instead of poetry. Her first novel, The Man with a Load of Mischief, was published in 1981.
Grimes receives much acclaim for her ability, as an American writer, to capture British life in her novels. Grimes gets her inspiration from British pubs. The titles of her novels are the names of pubs, such as The Man with a Load of Mischief. She now says that she cannot begin a novel until she has found a suitable pub name. Grimes may be best-known for her Richard Jury series, which includes the majority of her novels. They feature a handsome, witty Scotland Yard detective, his aristocratic assistant Melrose Plant, and her obnoxious American Aunt Agatha. When it comes to figuring out “who dunnit,” Grimes professes not to know until the end of the novel.
In 1983, Grimes received the Nero Wolfe Award for best mystery of the year for The Anodyne Necklace, which is part of the Richard Jury series. In the early 1990s, the Alfred A. Knopf publishing conglomerate (owners of many publishing imprints) decided to part company with Grimes. She has published with Viking since that time. She records some of the machinations of the publishing industry in her 2003 book, Foul Matter. Though she told New York Times reporter Dinitia Smith that she was not targeting anyone specifically with the book, mystery writer Andrew Vachss called it “all out war.”
Her 1999 book, Biting the Moon, dealt with issues of animal abuse and featured two adolescent heroes. Grimes donated two-thirds of her royalty profits to various US animal abuse organizations all over the country. On her website, Grimes states: “I do not believe that people are indifferent to animals, possibly, the exact opposite is true - people are so affected by stories, pictures, accounts of animal abuse that they simply do not want to know.”
In 2011, Grimes was chosen as the Grand Master by Mystery Writers of America (MWA). This award honors “the pinnacle of achievement in mystery writing and was established to acknowledge important contributions to the genre, as well as [to represent] a body of work that is both significant and of consistently high quality,” per the MWA press release issued by Margery Flax and Meryl Zegarek.
Since her first novel in 1981, Grimes has published a book or two each year through 2014, totaling over 30 books so far.
Martha Grimes has written 30 books, including eight New York Times bestsellers such as The Grave Maurice. Her worldwide sales are about 5 million. She has been listed as a notable Author by Marquis Who's Who. In 1983, Grimes received the Nero Wolfe Award for best mystery of the year for The Anodyne Necklace. In 2012, Grimes was named Grand Master by The Edgar Awards Mystery Writers of America.
Martha Grimes is one of the few authors left carrying on the British detective mystery tradition, and doing it well. Scotland Yard Superintendent Richard Jury and sidekick Melrose Plant are in the third decade of their clever, darkly humorous crime-solving careers.
Quotations:
"I love stories. I just enjoy telling stories and watching what these characters do - although writing continues to be just as hard as it always was."
"I got into the poetry workshop simply as a lark, because all my friends were poets, and I started writing poetry. I suppose I wrote poetry for eight to ten years. And I started writing mysteries because the poetry I was writing tended to have the tone and content of a mystery - well, let’s say, of fiction. The poetry was really full of tart houses, of bodies, of rolling downstairs, of blood on the ceiling, all that kind of business. In October of this year, a book of my poetry is going to be published. The reason I mention this is because it’s a mystery. And it’s a mystery in a poetry form. The reason that this book came out was because of the first poem that appears in it. I had written this poem maybe ten years ago, and I guess that it was right after I had finished writing this poem that I began to think, given the subject matter of the poem and the tone of it - it deals with the police and so forth - I thought maybe what I really was tending toward as writing mysteries. The reason I chose British mysteries was simply because those were the mysteries that I had always liked to read."
"The nature of the research I do is simple. I visit certain places, and even this is much more haphazard than it sounds. For example, on a last trip I took, there are two places in particular that have certain pubs which I had seen or heard of, and I did purposely go to these two places to check them out. Often, I don’t even do anything as purposeful as that. I would say that the nature of the research is really more a sitting around like a sponge. It is not conscious. I don’t want to say that I never take notes. I think occasionally I write down what someone says. But it’s really much more traveling around. I never know until I get back here."
"I set page goals. The goal is somewhere around 80,000 words. I try to write in the morning. Every writer believes in some kind of discipline but in different ways. I suppose I try to meet a particular page goal. Sometimes I don’t. I’m really not a person who is very given to saying, “I think I’m going to give up, because I can’t write.” Because I realize where that can lead. I start out writing by hand, and then, after I’ve done that for a while, I turn to a word processor."
“I don’t write outlines, and I don’t write summaries. I don’t know what the end is until I get there. I have a funny feeling that the book is already in the subconscious, and I’m just sort of excavating to find it.”
Personality
In 2013, Martha and her son Kent co-wrote Double Double: A Dual Memoir of Alcoholism. She told Randy Cordova of The Arizona Republic that being sober for 22 years is an achievement and daily challenge. “I find it extremely difficult now to go into a pub in England with a friend of mine who loves to drink," she says with a chuckle. "I’m bored to death, but I realize how boring I must have been when I was drinking.”
Physical Characteristics:
Martha is described as tall, slender, and slightly reserved person, who possessed of a throaty laugh and a voice lightly pocked by spasmodic dysphonia.
Quotes from others about the person
“She writes, as always, with charm, authority and ironic wit,” Kirkus Reviews said of “The Old Silent.”
“She’s combined manners with mean streets into a unique blend of the cozy and hard-boiled styles, and she’s known for her humor and wonderful child characters,” says Sarah Fogle, a professor of humanities at Embry-Riddle Aeronautical University and the contributing editor of “Martha Grimes Walks Into a Pub”. “She’s also published other novels and a book of poetry. While her work has always been popular, it hasn’t gotten the critical attention it deserves.”
Interests
Writers
John Dickson Carr, Andrew Garve, Agatha Christie
Connections
In addition to her son Kent, Grimes has a daughter-in-law and two grandsons.