Background
Jehan Bodel was born about 1165 at Arras, France.
(Excerpt from La Chanson des Saxons, Vol. 1 Charlemagne n...)
Excerpt from La Chanson des Saxons, Vol. 1 Charlemagne n'ont guère tenu compte de son histoire. Ils parlent à peine de ses guerres et de ses conquêtes d'outre Rhin. Je crois avoir vu le titre d'un roman où il s'agit, à ce qu'il paraît, d'une expédition de ce monarque contre les Saxons. Je ne puis parler de ce roman, ne l'ayant pas même parcouru. Je soupçonne toutefois qu'il est d'une date assez récente, bien postérieure à la fin du treizième siècle, etc. M. Fauriel, Origine de l'e'pogye'e romanesque au moyen âge, seconde lecon. (revue des deux Mondes, viie volume. Ler septembre. 5e livraison, Paris, 1852, p. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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(Excerpt from La Chanson des Saxons, Vol. 2 Au plus tost ...)
Excerpt from La Chanson des Saxons, Vol. 2 Au plus tost que il pot s'en est an Rune antrez, Au pandant soz i. Tertre a les vi. Rois trovez: Par Mahomet! Fait-il, ci chevauche maniez. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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(Les conges / de Jean Bodel; publies avec introduction et ...)
Les conges / de Jean Bodel; publies avec introduction et glossaire par Gaston Raynaud Date de l'edition originale: 1880 Ce livre est la reproduction fidele d'une oeuvre publiee avant 1920 et fait partie d'une collection de livres reimprimes a la demande editee par Hachette Livre, dans le cadre d'un partenariat avec la Bibliotheque nationale de France, offrant l'opportunite d'acceder a des ouvrages anciens et souvent rares issus des fonds patrimoniaux de la BnF. Les oeuvres faisant partie de cette collection ont ete numerisees par la BnF et sont presentes sur Gallica, sa bibliotheque numerique. En entreprenant de redonner vie a ces ouvrages au travers d'une collection de livres reimprimes a la demande, nous leur donnons la possibilite de rencontrer un public elargi et participons a la transmission de connaissances et de savoirs parfois difficilement accessibles. Nous avons cherche a concilier la reproduction fidele d'un livre ancien a partir de sa version numerisee avec le souci d'un confort de lecture optimal. Nous esperons que les ouvrages de cette nouvelle collection vous apporteront entiere satisfaction. Pour plus d'informations, rendez-vous sur www.hachettebnf.fr
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Jehan Bodel was born about 1165 at Arras, France.
Very little is known of his life, but in 1205 Bodel was about to start for the crusade when he was attacked by leprosy. In a touching poem called Le Conge (pr. by Meon in Recueil de fabliaux et contes, vol. I. ), he bade farewell to his friends and patrons, and begged for a nomination to a leper hospital. He wrote Le Jeu de Saint Nicolas, one of the earliest miracle plays preserved in French (printed in Monmerque and Michel's Theatre francais du moyen age, 1839, and for the Soc. des bibliophiles francais, 1831); the Chanson des Saisnes (ed. F. Michel 1839), four pastourelles (printed in K. Bartsch's Altfranz. Romanzen und Pastourellen, Leipzig, 1870); and probably, the eight fabliaux attributed to an unknown Jean Bedel. The legend of Saint Nicholas had already formed the subject; the Chanson des Saisnes (ed. F. Michel 1839), four pastourelles (printed in K. Bartsch's Altfranz. Romanzen und Pastourellen, Leipzig, 1870); and probably, the eight fabliaux attributed to an unknown Jean Bedel. The legend of Saint Nicholas had already formed the subject of the Latin Ludus Sancti Nicholai of Hilarius. Bodel placed the scene partly on a field of battle in Africa, where the crusaders perish in a hopeless struggle, and partly in a tavern. The piece, loosely connected by the miracle of Saint Nicholas narrated in the prologue, ends with a wholesale conversion of the African king and his subjects. The dialogue in the tavern scenes is written in thieves' slang, and is very obscure. The Chanson des Saisnes, Bodel's authorship of which has been called in question, is a chanson de geste belonging to the period of decadence, and is really a roman d'aventures based on earlier legends belonging to the Charlemagne cycle. It relates the wars of Charlemagne against the Saxons under Guiteclin de Sassoigne (Witikind or Widukind), with the second revolt of the Saxons and their final submission and conversion. Jehan Bodel makes no allusion to Ogier the Dane and many other personages of the Charlemagne cycle, but he mentions the defeat of Roland at Roncevaux. The romance is based on historical fact, but is overlaid with romantic detail. It really embraces three distinct legends-those of the wars against the Saxons, of Charlemagne's rebellious barons, and of Baudouim and Sebille. The earlier French poems on the subject are lost, but the substance of them is preserved in the Scandinavian versions of the Charlemagne cycle (supposed to have been derived from English sources) known as the Karlamagnussaga (ed. Unger, Christiania, 1860) and Keiser Karl Magnus Kronike (Romantisk Digtnung, ed. C. J. Brandt, Copenhagen, 1877).
Bodel was the first person of record to classify the legendary themes and literary cycles known to medieval literature into the "Three Matters"; the "Matter of Rome", or retellings of stories from classical antiquity; the "Matter of Britain", concerning King Arthur; and the "Matter of France", concerning Charlemagne and his paladins.
(Les conges / de Jean Bodel; publies avec introduction et ...)
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(Excerpt from La Chanson des Saxons, Vol. 1 Charlemagne n...)
(Excerpt from La Chanson des Saxons, Vol. 2 Au plus tost ...)
(Book by Jehan Bodel)