(The 'Old Bachelor' is Heartwell, 'a surly old pretended w...)
The 'Old Bachelor' is Heartwell, 'a surly old pretended woman-hater', who falls in love with Silvia, not knowing her to be the forsaken mistress of Vainlove, and is lured into marrying her, only discovering her true character afterwards, from the gibes of his acquaintances. The parson who has been brought in to marry them, however, is in fact Vainlove's friend Belmour, who has assumed the disguise for the purpose of intrigue with Laetitia, the young wife of an uxorious old banker, Fondlewife; and Heartwell is relieved to discover that the marriage was a pretence. The comedy includes the amusing characters of Sir Joseph Wittol, a foolish knight, who allows himself to be really married to Silvia, under the impression that she is the wealthy Araminta; and his companion, the cowardly bully, Captain Bluffe, who under the same delusion is married to Silvia's maid. The success of this comedy was in part due to the acting of performers Thomas Betterton and Anne Bracegirdle.
(Mirabell and Fainall have just finished playing cards. A ...)
Mirabell and Fainall have just finished playing cards. A footman comes and tells Mirabell that Waitwell and Foible were married that morning. Mirabell tells Fainall about his love of Millamant and is encouraged to marry her. Witwoud and Petulant appear and Mirabell is informed that should Lady Wishfort marry, he will lose £6000 of Millamant's inheritance. He will only get this money if he can make Lady Wishfort consent to his and Millamant's marriage.
William Congreve was an English playwright and poet of the Restoration period. He possessed the wit and charm of the heroes of his plays and was universally admired by his contemporaries.
Background
Congreve was born on January 24, 1670, in Bardsey, England, the son of William Congreve and Mary née Browning. His father was a soldier and a descendant of an old English family which owned considerable property in Staffordshire. When Congreve was 4, his father was commissioned to command the garrison at Youghal in Ireland. Later he became an agent for the estates of the Earl of Cork, and ultimately the family moved to Lismore.
Education
Congreve received all of his education in Ireland. In 1681 he was sent to Kilkenny School, where he met his lifelong friend the satirist Jonathan Swift. In April 1686 Congreve followed Swift to Trinity College, Dublin. While at Trinity, Congreve seems to have written the novel Incognita; or, Love and Duty Reconciled, which was published under the assumed name of Cleophil in 1692.
After the Glorious Revolution of 1688 Congreve and his family returned to the family home in Staffordshire, where he seems to have remained for 2 years. It is most probable that it was here that he wrote his first play, The Old Bachelor, "to amuse himself in a slow recovery from a fit of sickness." In the spring of 1691, he went to London and enrolled at the Middle Temple to study law, but most of his energy was diverted to literature. Within a year he had made the friendship of John Dryden, the former poet laureate. In 1692 the two collaborated on a translation of the satires of Juvenal and Persius. That year he also contributed some verses to Charles Gildon's Miscellany.
In 1693 The Old Bachelor, which had been revised by Dryden, was produced at the Theatre Royal in Drury Lane with the best actors and actresses of the time taking part in it - including Betterton, Mrs. Barry, and Mrs. Bracegirdle, who was to have the leading role in all of Congreve's plays. The play was a great success and ran for the unprecedented length of a fortnight. Congreve was so encouraged by its reception that he hastened to put forth a second play, The Double Dealer, before the end of the year. This play was more complex and better structured than the first, but it was not nearly so well received.
While Congreve was writing his third comedy, Love for Love, Betterton, and other leading actors rebelled against the management of the Theatre Royal, the only theater in London at the time. They were given permission to build a new theater at Lincoln's Inn Fields, which opened with the production of Love for Love in the spring of 1695. Probably Congreve's best acting play, it met with immediate success and placed him among the leading dramatists of the day. He became one of the managers of the new theater and agreed to give the new company a play a year.
At this time he also began to write public occasional verse. He was well established in his literary career, and through Charles Montague, later Earl of Halifax, to whom he had dedicated The Double Dealer, he was appointed one of the five commissioners to license hackney coaches at a salary of £ 100 a year.
Congreve was unable to produce a play a year as promised, but early in 1697, he gave the company the tragedy The Mourning Bride. It met with instantaneous success and was the most popular English tragedy for almost a century. The following year he launched an unsuccessful counterattack on Collier's charges against the stage. But by 1700 the taste in comedy had so changed that his next play, The Way of the World, failed miserably, and he determined to leave the stage.
In 1705 he was appointed a commissioner for wines and retained this post until 1714 when he received a more lucrative appointment as secretary of Jamaica. In 1710 he published the first collected edition of his works in three volumes. He continued to write poetry and made translations of Homer, Juvenal, Horace, and Ovid. He was highly regarded as a person and colleague by Swift, Pope, Addison, and Gay. Voltaire was annoyed at Congreve's affecting the role of a gentleman in preference to that of author, but Congreve's considerateness of his fellow authors was held to be remarkable.
Achievements
Congreve was the most brilliant of the writers of the Restoration comedy of manners. He shaped the English comedy of manners through his brilliant comic dialogue, his satirical portrayal of the war of the sexes, and his ironic scrutiny of the affectations of his age.
Congreve's life of pleasure was pursued at the expense of his health, and he suffered greatly from blindness and gout. In the summer of 1728 he went to Bath with the Duchess of Marlborough and John Gay to recover from a long illness. While there his carriage was overturned, and he suffered internal injuries from which he never recovered.
Connections
Congreve never married, but he was intimate for many years with Mrs. Bracegirdle, the leading lady of his plays. In later years he was in constant attendance upon the Duchess of Marlborough and is believed to have been the father of the duchess's daughter, Lady Mary Godolphin.
Father:
William Congreve
Mother:
Mary Browning
Friend:
Jonathan Swift
Swift is regarded as the foremost prose satirist in the English language and is less well known for his poetry.
The Culture of the Gift in Eighteenth-Century England
The Culture of the Gift in Eighteenth-Century England analyzes the long-overlooked role of gift exchange in literary texts and cultural documents and provides innovative readings of how gift transactions shaped the institutions and practices that gave this era its distinctive identity.