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One of the most admired American poets of his generatio...)
One of the most admired American poets of his generation, James Wright (1927-80) wrote contemplative, sturdy, and generous poems with an honesty, clarity, and stylistic range matched by very few--then or now. From his Deep Image-inspired lyrics to his Whtimanesque renderings of Neruda, Vallejo, and other Latin American poets, and from his heartfelt reflections on life, love, and loss in his native Ohio to the celebrated prose poems (set frequently in Italy) that marked the end of his important career, Above the River gathers the complete work of a modern master. It also features a moving and insightful introduction by Donald Hall, Wright's longtime friend and colleague.
("...poems are powerful in their honesty, emotion, and cra...)
"...poems are powerful in their honesty, emotion, and craft. The heart-clenching directness of the emotion is seldom found in recent American poetry... purchasing this edition should be a priority..."
James Wright was born on December 13, 1927, in Martins Ferry, Ohio, a small steel-mill town. Both his parents were school dropouts. His father, Dudley Write, worked as a die-cutter at Hazel-Atlas Glass while his mother, Jessie Wright, was employed at the White Swan Laundry, both located in the neighboring town of Wheeling, Virginia. At eleven, while the other boys dreamed of becoming a clerk and earning a decent living, he started learning Latin from a friend.
In 1938, his friend, who must have come from a different background, gave him the collected works of Lord Byron. He was so influenced by it that he immediately began to write poetries.
Education
In 1942, James entered Martins Ferry High School. Here, he was particularly influenced by Helen McNeely Sheriff, who taught Latin and Elizabeth Willerton Esterly, the English teacher. They quickly recognized his potentials and encouraged his talent in languages.
In 1946, James Wright graduated from Martins Ferry High School with Valediction. In the same year, he enlisted in the U. S. Army, where he served for 18 months. Out of these eighteen, he spent 12 months as part of the Occupation Forces in Japan.
Towards the end of this period, he met another soldier from Ohio, who intended to join Kenyon College in Gambier, Ohio. On returning home, he too decided to follow him and taking advantage of the generous educational provision of the GI Bill, he applied for a seat.
Thereafter in January 1948, he entered Kenyon and there he studied English with great teachers like James Crowe Ransom, Charles Coffin, and Philip Timberlake. In addition, he enthusiastically took part in extracurricular activities, publishing more than twenty poems in the college’s literally journal, "The Kenyon Review".
In addition, he regularly contributed to HIKA, the oldest literally magazine of the college and won the school’s Robert Frost Poetry Prize just before graduating magna cum laude in 1952. Sometime during his junior years, he was also elected to Phi Beta Kappa.
After graduating in June 1952, he worked for few months. While some biographers are of the opinion that he was employed at the railroad in Philadelphia others believe he was a teacher at Tenney School in Texas.
Anyhow, sometime during this period he received Fulbright Scholarship and with it he left for the University of Vienna. Here he studied German literature in the 1952-1953 academic session and in course of that he discovered the poetry of Georg Trakl and Theodore Storm.
He returned to the USA in 1953. In the same year, he received a teaching scholarship and joined the University of Washington at Seattle for his masters. Here he studied with well-known teachers like Stanley Kunitz and Theodore Roethke, receiving his MA degree in 1957.
Career
In 1957, soon after receiving his MA degree, James Wight started working on his doctoral thesis. Later in the same year, he joined the faculty of University of Minnesota, thus beginning a long career in teaching. It was also the year, which launched him as a poet.
Wright had all along continued writing poems; in 1954, his manuscript was selected by W. H. Auden for publication in the Yale Younger Poets Series. The book, entitled, "The Green Wall" was published in 1957. In the same year, it was awarded the prestigious Yale Younger Poets Prize.
Concurrently, he continued working on his doctoral thesis, writing his dissertation on Charles Dickens. In around 1958, he began translating and publishing the works of German and South American poets in collaboration with Robert Bly and John Knoepfle.
In 1959, Wright received his PhD degree from the University of Washington. In the same year, he had his second book, "Saint Judas" published. In 1960, it earned him the Ohioana Book Award. Thus his reputation as a poet began to spread.
Concurrently, Wright continued to contribute poems to important journals like New Yorker and New Orleans Poetry Review. Moreover, he also had reviews published in major publications like the Sewanee Review.
He had later said that he did not feel any conflict between his duties as a teacher and his aspiration as a poet. May be, the University of Minnesota thought otherwise and did not offer him tenured professorship. Therefore in 1963, he left the University to join nearby Macalester College.
In the same year, Wight had his third book, "The Branch Will Not Break", published. His earlier two works were formalist in nature. This work, for the first time, signals a departure from his old style and from now on he would slowly move towards experimental free verse.
In 1966, he moved to New York City, where he lived for the rest of his life. Here, he joined the faculty of Hunter College, one of the constituent organizations of the City University of New York.
Concurrently, he continued with his literally pursuit, publishing his next significant work, "Shall We Gather at the River" in 1967. In the following years, he went on a tour of Europe, visiting France, Italy, Australia and Yugoslavia. It rejuvenated him to a great extent.
Thereafter in 1971, he published "Collected Poems". It was followed by "Two Citizens" in 1973, "Moments of the Italian Summer" in 1976 and "To a Blossoming Pear Tree" in 1977.
Wright’s last collection of poems, "The Journey" was largely completed by 1980. Since he passed away before he could publish it, it was published posthumously in 1982.
"The Delicacy and Strength of Lace" is another of his posthumously published books. In 1975, Wright met author Leslie Marmon Silko at a writers’ conference in Michigan. Three years later as Silko’s book was published, Wright congratulated her through a letter.
For the next 18 months, the two writers continued exchanging mails. Initially the letters were formal; but gradually they began to share their life. In 1985, his wife Ann edited those letters and published them in a book form. Critics have hailed the book as an epitome of brotherly love.
In 1979, Wright developed a severe sore throat. It was later diagnosed as an aggressive type of cancer. He was initially hospitalized at New York’s Mount Sinai; but later was transferred to Calvary Hospital for terminal cancer patients. He died there on March 25, 1980, at the age of 52.
Quotations:
"Poetry can keep life itself alive. You can endure almost anything as long as you can sing about it. "
"Practice good personal hygiene. Wash your hands before you eat. Be aware of good clean water and food sources. "
"We choose exile as a vantage point; from exile we look back on the rejected. "
"It goes without saying that a fine short poem can have the resonance and depth of an entire novel. "
Connections
In 1953, James Wright married Liberty Kerdules, his classmate at Marin Ferry High School. They had two sons, Franz and Marshall. In around 1958, the relation between the two became strained. It led to their separation in 1959 and divorce in 1962.
In 1967, when Wright was 40, he married Edith Anne Crunk, a sculptor. They did not have any children.