Israel Zangwill was a British humorist and writer. He dedicated his life to championing the cause of the oppressed. Jewish emancipation, women's suffrage, assimilationism, territorialism and Zionism were all fertile fields for his pen.
Background
Zangwill was born in London on 21 January 1864, in a family of Jewish immigrants from the Russian Empire. His father, Moses Zangwill, was from what is now Latvia, and his mother, Ellen Hannah Marks Zangwill, was from what is now Poland. He dedicated his life to championing the cause of people he considered oppressed, becoming involved with topics such as Jewish emancipation, Jewish assimilation, territorialism, Zionism, and women's suffrage. His brother was novelist Louis Zangwill.
Education
Zangwill received his early schooling in Plymouth and Bristol. When he was nine years old, Zangwill was enrolled in the Jews' Free School in Spitalfields in east London, a school for Jewish immigrant children. The school offered a strict course of both secular and religious studies while supplying clothing, food, and health care for the scholars; presently one of its four houses is named Zangwill in his honour. At this school he excelled and even taught part-time, eventually becoming a full-fledged teacher. While teaching, he studied for his degree from the University of London, earning a BA with triple honours in 1884.
Career
Zangwill wrote a very influential novel Children of the Ghetto: A Study of a Peculiar People (1892). The use of the metaphorical phrase melting pot to describe American absorption of immigrants was popularised by Zangwill's play The Melting Pot, a hit in the United States in 1909-10. The play received its most recent production at New York's Metropolitan Playhouse in March 2006.
When The Melting Pot opened in Washington D.C. on October 5, 1909, former President Theodore Roosevelt leaned over the edge of his box and shouted, "That's a great play, Mr. Zangwill, that's a great play." The hero of the play, David, emigrates to America in the wake of the Kishinev pogrom in which his entire family is killed. He writes a great symphony called "The Crucible" expressing his hope for a world in which all ethnicity has melted away, and falls in love with a beautiful Russian Christian immigrant named Vera. The dramatic peak of the play is the moment when David meets Vera's father, who turns out to be the Russian officer responsible for the annihilation of David's family. Vera's father admits his guilt, the symphony is performed to accolades, David and Vera live happily ever after, or, at least, agree to wed and kiss as the curtain falls.
"Melting Pot celebrated America's capacity to absorb and grow from the contributions of its immigrants." Zangwill, who had already left Zionism, was writing as "a Jew who no longer wanted to be a Jew. His real hope was for a world in which the entire lexicon of racial and religious difference is thrown away."
Zangwill wrote many other plays, including, on Broadway, Children of the Ghetto (1899), a dramatization of his own novel, directed by James A. Herne and starring Blanche Bates, Ada Dwyer, and Wilton Lackaye; Merely Mary Ann (1903) and Nurse Marjorie (1906), both of which were directed by Charles Cartwright and starred Eleanor Robson. Liebler & Co. produced all three plays as well as The Melting Pot. Daniel Frohman produced Zangwill's 1904 play, The Serio-Comic Governess, featuring Cecilia Loftus, Kate Pattison-Selten, and Julia Dean. In 1931 Jules Furthman adapted Merely Mary Ann for a Janet Gaynor film.
Zangwill's simulation of Yiddish sentence structure in English aroused great interest. He also wrote mystery works, such as The Big Bow Mystery, and social satire such as The King of Schnorrers (1894), a picaresque novel (which became a short-lived musical comedy in 1979). His Dreamers of the Ghetto (1898) includes essays on famous Jews such as Baruch Spinoza, Heinrich Heine and Ferdinand Lassalle.
The Big Bow Mystery was the first locked room murder novel. It has been almost continuously in print since 1891 and has been used as the basis for three commercial films.
Another widely-produced play was The Lens Grinder, based on the life of Spinoza.
Zangwill endorsed feminism and pacifism, but his greatest effect may have been as a writer who popularised the idea of the combination of ethnicities into a single, American nation. The hero of his widely produced play, The Melting Pot, proclaims: "America is God's Crucible, the great Melting-Pot where all the races of Europe are melting and reforming... Germans and Frenchmen, Irishmen and Englishmen, Jews and Russians – into the Crucible with you all! God is making the American."'
Connections
Zangwill married Edith Ayrton, a feminist and author who was the daughter of cousins William Edward Ayrton and Matilda Chaplin Ayrton. Their youngest of two sons was the prominent British psychologist, Oliver Zangwill.