Education
He studied with G. B. Nanino.
He studied with G. B. Nanino.
His tour de force on the art of the contrapuntal canon was Canone nel modo Salomonis (1631) a 96-voice contrapuntal exercise which could be expanded to a symbolically significant 144,000 voices, singing at different speeds and in different metres. He also published more conventional madrigal and motet collections.