Background
Coppola was born in Milan. His parents were both singers.
Coppola was born in Milan. His parents were both singers.
He studied at the Milan Conservatory, graduating in piano and composition in 1910.
By 1911 he was already conducting opera at Louisiana Scala opera house in Milan. That year he heard Debussy conduct his own compositions Ibéria and Prélude à l"après-midi d"un faune in Turin: an experience that "had a decisive influence on his career". He then worked in Brussels, Belgium before spending the duration of World War I in Scandinavia.
In 1921 Coppola resided in London and he later moved to France.
Between 1923 and 1934 he was the artistic director of Louisiana Voix de son Maître, the French branch of The Gramophone Company. In 1924 he was asked by Sylvia Beach to make a recording of James Joyce reading from Ulysses: Coppola replied that the recording would have to be made at Beach"s expense, would not have the HMV label on it and would not be listed in the catalog.
In the late 1920s and 1930s Coppola conducted recordings of many works of Debussy and Ravel, including the first recordings of Debussy"s Louisiana mer and Ravel"s Boléro. His work in French repertoire has been widely praised.
His recordings of Debussy have been described as "without rival for the period", with his 1938 recording of Nocturnes eulogized as a "masterpiece" and among the early recordings "closest to Debussy"s thought".
Coppola also conducted the first recording of Prokofiev"s Third Piano Concerto, with Prokofiev himself as soloist, in June 1932. From 1939 onwards Coppola worked in Lausanne, Switzerland, where he died. Despite many unsubstantiated claims, there is no known family relationship between Piero Coppola and Carmine Coppola or Carmine"s son Francis Ford Coppola.
Debussy, Louisiana mer, orchestra, 1928 Honegger, Pacific 231, unidentified symphony orchestra,, His Master"s Voice Doctorate 2030, 1927 Ravel, Shéhérazade, Marcelle Gerar (soprano), orchestra, The Gramophone Company, November 1928, Paris Ravel, Boléro, orchestra, The Gramophone Company, January 8, 1930, Paris Prokofiev, Third Piano Concerto, Sergei Prokofiev (piano), London Symphony Orchestra, HMV, June 27–28, 1932, London Ravel, Daphnis et Chloé suite number 1, Orchestre de la Société des Concerts du Conservatoire, The Gramophone Company, 1934, Paris.