Background
Pieter de Hooch was born on December 20, 1629, in Rotterdam, Netherlands. He was a son of Hendrick Hendricksz de Hooch, a bricklayer, and Annetge Pieters, a midwife.
Pieter de Hooch was born on December 20, 1629, in Rotterdam, Netherlands. He was a son of Hendrick Hendricksz de Hooch, a bricklayer, and Annetge Pieters, a midwife.
Pieter de Hooch studied in Haarlem, Netherlands, under the guidance of Nicolaes Pieterszoon Berchem.
In 1653, Pieter de Hooch was employed as a servant and painter by a cloth merchant and art collector, named Justus de la Grange, in Rotterdam. His early works were mainly crowded scenes of the activities of soldiers in their leisure time.
De Hooch's best works were painted during his residence in Delft, roughly in the years between 1655 and 1662. They clearly belong to the Delft school, with marked resemblances to the mature works of Jan Vermeer. De Hooch's earliest dated pictures are from 1658, and they show him at the height of his powers. His mastery of elaborate spatial construction is exemplified in the "Card Players" (1658), where the rectangles of architectural details and furnishings form an abstract pattern, in which figures are placed with an effect of the most satisfying equilibrium. The view from the interior to outside areas in this painting is the kind of problem in space representation, that characterized de Hooch's works of his Delft period.
The interrelations between de Hooch and his great contemporary in Delft, Vermeer, are not fully understood. They obviously shared an interest in the representation of interior space with figures. De Hooch's style differs from Vermeer's in that his light and colors are warmer, his spatial constructions tend to be more complex and his figures lack the monumental three-dimensionality of Vermeer's. The faces, that de Hooch painted, were particularly lacking in conviction. They are weak in both form and characterization.
In the 1660's and 1670's, de Hooch lived and worked in Amsterdam. He gradually adopted a more upper-class orientation, with greater emphasis on the elaboration of decoration and costumes. From the later 1660's on, his paintings were cold and dry and not above the level of achievement of his generally prosaic followers.
The latest date de Hooch inscribed on a painting was 1684. How long he lived after that is unknown. However, for a long time it was believed, that de Hooch died in 1684 in an asylum. However, in 2008, it turned out, that it was his son, who died in 1684 and whose name was also Pieter.
Pieter de Hooch gained prominence for his genre works of quiet domestic scenes with an open doorway. He was the first to paint genre scenes set in the brick courtyards typical of Dutch middle-class homes.
Today, the painter's works are kept in different museums, art institutions and galleries, including Louvre Museum in Paris, National Gallery of Art, in Washington, D.C., National Gallery in London, Metropolitan Museum of Art in New York City, Rijksmuseum in Amsterdam and others.
Woman with basket of beans in the kitchen garden
Woman with infant, serving maid with child
Woman weighing gold coins
A Woman and a Maid in a Courtyard
Soldiers Playing Cards
Interior with a Mother delousing her Child
A Woman Peeling Apples
At the Linen Closet
Couple with Parrot
Woman and Child in a Courtyard
Tavern scene with maid trying to fill the glass of a cavalier (The Empty Glass)
Interior with Two Gentleman and a Woman Beside a Fire
Concert
The Council Chamber of the Burgermasters
Dutch family
Paying the Hostess
Woman hands over money to her servant
Cardplayers
Courtyard of a house in Delft
Interior with Figures
Woman drinking with soldiers
Interior
Tric Trac Spieler
Woman and a Child in a Pantry
A Dutch Courtyard
The Visit
Two women with a child in court
The morning toilet of a young man
Woman with a Child and a Maid in an Interior
Woman Reading a Letter
Happy drinker
Mother at the cradle
A sick child
A Mistress and her Maid
Company in garden
Man Offering a Glass of Wine to a Woman
The Card Players
A woman and a child on a Bleichwiese
Company Making Music
Interior of a Dutch House
Portrait of a family of musicians
A Musical Conversation
The Bedroom
Card Players at a Table
Nursing mother
Going for the Walk
A Woman with a Baby in Her Lap, and a Small Child
Skittle Players in a Garden
The Courtyard of a House in Delft
Two Soldiers and a Serving Woman with a Trumpeter
A Woman Drinking with Two Men
A Musical Party
Pieter de Hooch was a member of Delft Guild of Saint Luke.
In 1654, Pieter married Jannetje van der Burch. Their marriage produced seven children.