Background
Guglielmi was born in Massa on the 9th of December 1728.
(Excerpt from La Sposa Contrastata, Ossia la Cantata Scomp...)
Excerpt from La Sposa Contrastata, Ossia la Cantata Scomposta: Ossia, la Cantata Scomposta, Dramma Giocoso per Musica, da Rappresentarsi Nel Teatro Alla Canobiana Dalla Compagnia De' Ragazzi Napolitani, per Second' Opera, l'Estate 1792 Signora C arolmz: Bani dor1na Giardiniera amante di Don Gian? 114165i0 Signora Rom Cazzà0ne. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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(Excerpt from The Ridiculous Travellers Return'd to Italy:...)
Excerpt from The Ridiculous Travellers Return'd to Italy: A Comic Opera, as Performed at the King's Theatre, in the Hay-Market Camera 111 Cara di_ Fabnzio, con Sedie, c Tavolino con foprada 'fcrffré're. Do'n 'fabriéio, Donna '3 myefi?'fil'ia, ? Gdnéela federebevéndd lacioccolata, Livietgia 1n piedi, cgiacinto Che ferve poi il' About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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(PIETRO ALESSANDRO GUGLIEMI. 6 CONCERTI DA CAMERA OP. 1. ...)
PIETRO ALESSANDRO GUGLIEMI. 6 CONCERTI DA CAMERA OP. 1. Cappella Musicale Miklos Jozsef Esterhazy. STEFANO BELLINI, primo violino. Pietro Antonio Strosio, Erica Mazzacua, violini primi. Emanuela Bungaro, Barbara Zanor, Camilla Bonanini, violini secondi. Elena Dardo, violoncello. Danilo Grandi, contrabbasso. Pianista: FRANCESCA COSTA. Direttore: FILIBERTO PIERAMI.
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(This is a reproduction of a book published before 1923. T...)
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ L' Impresa D'opera: Dramma Giocoso Per Musica Pietro Alessandro Guglielmi, Bortolamio Cavalieri Ferrer, 1773
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(Excerpt from Gli Equivoci Nati da Somiglianza: Farsa per ...)
Excerpt from Gli Equivoci Nati da Somiglianza: Farsa per Musica a Cinque Voci Pro. (che ti cafchi la lingua. Bar. Ancor io fon ferito a fegno talé. Pol. Ma la vuoi tu finir, bructo animale? About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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(This is a reproduction of a book published before 1923. T...)
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ I Finti Amori: Commedia Per Musica Pietro Alessandro Guglielmi
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(Excerpt from La Sposa Contrastata, Ossia la Cantata Scomp...)
Excerpt from La Sposa Contrastata, Ossia la Cantata Scomposta: Ossia, la Cantata Scomposta, Dramma Giocoso per Musica, da Rappresentarsi Nel Teatro Alla Canobiana Dalla Compagnia De' Ragazzi Napolitani, per Second' Opera, l'Estate 1792 Signora C arolmz: Bani dor1na Giardiniera amante di Don Gian? 114165i0 Signora Rom Cazzà0ne. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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Guglielmi was born in Massa on the 9th of December 1728.
He received his first musical education from his father, and afterwards studied under Durante at the Conservatorio di Santa Maria di Loreto at Naples.
Guglielmi's first operatic work, produced at Turin in 1755, established his reputation, and soon his fame spread beyond the limits of his own country, so that in 1762 he was called to Dresden to conduct the opera there.
He remained for some years in Germany, where his works met with much success, but the greatest triumphs were reserved for him in England. He went to London, according to Burney, in 1768, but according to Florimo in 1772, returning to Naples in 1777. He still continued to produce operas at an astounding rate, but was unable to compete successfully with the younger masters of the day. In 1793 he became maestro di cappella at St Peter’s, Rome.
(Excerpt from La Sposa Contrastata, Ossia la Cantata Scomp...)
(Excerpt from La Sposa Contrastata, Ossia la Cantata Scomp...)
(Excerpt from The Ridiculous Travellers Return'd to Italy:...)
(Excerpt from Gli Equivoci Nati da Somiglianza: Farsa per ...)
(This is a reproduction of a book published before 1923. T...)
(This is a reproduction of a book published before 1923. T...)
(PIETRO ALESSANDRO GUGLIEMI. 6 CONCERTI DA CAMERA OP. 1. ...)
Of his eight sons two at least acquired fame as musicians. Pietro Carlo was a successful imitator of his father’s operatic style, and Giacomo was an excellent singer.