Background
Chandra, Pramod was born on November 2, 1930 in Varanasi, India. Son of Moti and Shanti (Devi) Chandra. came to the United States, 1964.
(The Tuti-Nama manuscript is the best representation of th...)
The Tuti-Nama manuscript is the best representation of the formative stages of the Mughal style, which originated at the Emperor Akbar's court, where Persian and Indian painters gathered and their different traditions merged. Professor Pramod Chandra has published on the Tuti-Nama Manuscript, which follows in the same literary tradition as Scheherazade. All but 13 of the 218 miniatures of the manuscript are owned by the Cleveland Museum with whom Professor Chandra has worked extensively. Curator and Catalogue: Professor Pramod Chandra and Daniel J. Ehnbom of the University of Chicago in conjunction with the Smart Museum and the Cleveland Museum of Art. Katharine L. Keefe, Curator of Collections of the Smart Museum of Art, oversaw the exhibition.
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Chandra, Pramod was born on November 2, 1930 in Varanasi, India. Son of Moti and Shanti (Devi) Chandra. came to the United States, 1964.
Bachelor of Science, Georgetown University, 1951. Doctor of Philosophy, University Bombay, 1964.
Assistant curator, Prince of Wales Museum of Western India, Bombay, 1954-1960;
curator art and archaeological sections, Prince of Wales Museum of Western India, 1960-1964;
associate professor, University of Chicago, 1964-1971;
professor, University of Chicago, 1971-1980;
George P. Bickford professor Indian and South Asian art, Harvard University, Cambridge, Massachusetts, since 1980. Founder, director Center for Art and Archaeology, American Institute Indian Studies,1965-1971. Founder, president American Committee South Asian Art, 1963-1971.
Honorary advisor on archaeology and music Government of Madhya Pradesh, India. Guest curator Sculpture of India exhibition National Gallery Art, Washington, 1985.
(The Tuti-Nama manuscript is the best representation of th...)
Married Mary Carmen Lynn, 1981. Children: Abhijit, Sasanka.