He was an idiosyncratic stylist, and though he collaborated extensively with the Tabriz Radio and Television Corporation, his style differs from that known as "radio style". He was nourished by both Persian culture and art His art of tar playing is characterized by:
extreme transparency and a detailed approach to moulding the musical phrases
fast speed in fingering and plucking
cultivated taste in balancing avazes and zarbis
even tremolos and both hand vibrations
fine sound-making even from low quality instruments
using Azerbaijani zarbis in his performances
using dayereh as an accompanying instrument
fast plucking and various systems of plucking
He learned tar from his father, Hossein Qoli Bigjeh-Khani.
He left a number of recordings, mostly of Persian Dastgah music
He also accompanied Mohammad-Reza Shajarian (most notably on a 40+ minute improvisation in Homayoon mode).