Ray Graham

Education

Webber Douglas Academy of Dramatic Artist

Career

Graham initially trained as an actor at the Webber Douglas Academy of Dramatic Art, which was to have a bearing on his directing and writing style. He directed his first plays at the Pegasus Theatre (home of the Oxford Youth Theatre), in East Oxford, in his teens. He devised his first piece in 1982, entitled A Way Of Life, under the benevolent eye of the theatre manager there, Fred Ritchings.

A further devised piece, Yop!, played to packed houses at the Pegasus Theatre in 1983.

lieutenant was during his time at Pegasus Theatre that Graham developed his particular style of creating theatre pieces. His command of acting technique, predominantly realistic in style, based on Constantin Stanislawski"s writings, meant that he was able to give detailed and rigorous direction to his improvising actors.

Graham"s method of working starts with an initial period of exploring characters through improvisations. Following detailed director"s notes, then presents complex scenarios to the actors.

The resulting scenes are reworked with copious notes after each run.

The script is fixed by Graham one to two weeks before opening night. In the early days, a written play text would only emerge following the show"s stage run. However this did not preclude actors being given sections of dialogue penned by Graham as the piece developed.

As his experience increased, he learnt the playwright"s craft of producing complete scripts following shorter series of impro workshops with his cast.

The brilliance of Graham"s recent work lies in his ability to produce these texts with the same natural dynamics as those he once produced after exhaustive workshop sessions. Graham teamed up with West End theatre actress Sarah Scott in 1985, to tour the United Kingdom with his production of Children of a Lesser God.

This collaboration with Scott saw the beginning of Graham"s exploration on themes of disability, particularly deafness. Graham and Scott performed a number of signed songs for Channel 4 around this time, introducing the form to a mainstream United Kingdom audience for the first time.

In 1988, Graham began work on a major new work, Gary, involving both hearing and deaf actors.

This premiered at the Edinburgh Festival Fringe, in 1989, winning a Fringe First award. The piece returned to London, playing at the Arts Theatre in the West End, in 1990. This may or may not be the first work by a black Briton to be staged in the West End theatre.

Graham"s groundbreaking drama Sympathy Foreign The Devil resulted from a collaboration with Graeae Theatre Company at the Oval House Theatre and then the Tricycle Theatre in 1996.

This went on to take a coveted Raspberry Ripple Award the same year. The Guardian′s theatre review pages said of the play: "lieutenant is rare and rewarding to find a piece as dense and intelligent as this."

Success followed on television, with Graham writing and directing two British Academy of Film and Television Arts winning plays (Strong Language for Channel 4 in 2000, and Lion Mountain for the British Broadcasting Corporation in 2003).

His other television work includes writing and directing a Rush series for Channel 4. Four series of this drama were aired in the United Kingdom between 1998 and 2003, telling the story of a group of deaf friends who first met at college in series one.

Graham was a judge in the 2011 Deaffest film and television award festival and, among other recent projects, devised and directed a workshop production involving young people excluded from mainstream school, which played at Croydon"s Warehouse Theatre in October 2011.

Achievements

• The series won plaudits and awards from around the world.