Background
Her father was Michael (Meyer) Solomon, the first Jew to be honored with the Freedom of the City of London and mother Catherine (Kate) Levy. There were five other children in the family: Aaron, Betsy, Isaac, Ellen, and Sylvester.
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Rebecca Solomon
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Rebecca was one of eight children born into an artistically-inclined Jewish merchant family in Bishopsgate in east London. Rebecca was a sister to her more famous painter brothers Simeon Solomon (1840–1905) and Abraham Solomon (1824–1862). She exhibited at Royal Academy of Art between 1852 and 1868, and also at the Dudley Gallery and Gambart"s French Gallery.
She also worked with the second wave Pre-Raphaelite artist, Edward Burne-Jones.
As an artist in her own right, she painted works that often reflected gender and social class differences. In 1886, Rebecca died aged 54, from injuries sustained after being run over by a hansom cab on the Euston Road in central London.
Solomon"s artistic style was typical of popular 19th century painting at the time and falls under the category of genre painting. She used her visual images to critique ethnic, gender and class prejudice in Victorian England.
When Rebecca started painting genre scenes, her work demonstrated an observant eye for class, ethnic and gender discrimination.
One critic commented on the wholesome, moral and sometimes humanizing sentiment in her art, not an uncommon element in Victorian painting. However, Rebecca’s Jewish background was probably instrumental in developing her critical consciousness of difference and prejudice. Over the next ten to fifteen years, her artwork explored the plight of women and minorities, and the dominance of class discrimination in English society.
In the late 1850s Rebecca made a successful transition to classical and historical painting, the most highly valued art within the powerful art academies at the time.
True to her vision, she continued to include images that reflected the historical foundations of nineteenth-century social injustice.
