Career
His role led to his becoming an acknowledged expert on the Victorian painter and sculptor G.F. Watts. He started as Custodian at the Gallery on 1 February 1969 after an earlier discussion with the then Curator, Wilfrid Blunt. He provides the foreword for Hutchings book on Watts" sculpture.
Richard Jefferies agreed to sit for Jon Edgar for a portrait using local Compton clay quarried from the foundations of the Brickfields pottery of Mary Wondrausch.
The portrait was unveiled at the re-opening of the Watts Gallery in June 2011 and forms part of the Compton Triptych unveiled at The Human Clay exhibition, Lewis Elton Gallery, University of Surrey in November 2011.
