Background
Kostelanetz, Richard was born on May 14, 1940 in New York, United States. Son of Boris and Ethel (Cory) Kostelanetz.
(Poetry. Long concerned with poetic invention, the indispu...)
Poetry. Long concerned with poetic invention, the indisputably avant-garde writer Richard Kostelanetz has recently been discovering new language forms not with words but within words. This new collection of his, RECIRCUITS, is one of several efforts in this direction. From the great linguist Roman Jakobson he takes this classic appreciation: "Poetry has from the earliest times engaged in play with suffixes; but only in modern poetry, and particularly in Xlebnikov, has this device become conscious, and as it were legitimate." The constraint informing this collection is that the addition or subtraction of a single letter recircuits the semantic stream. For this book he presents complementary texts--the first, copies of the handwritten pages he prepared for Francesco Conz's Ezra Pound Project (Verona, Italy) depending upon the addition of suffixes; the second, many of the same sequences reversed to discover recircuits revealed through subtraction. These poems cannot be translated, because they exploit possibilities unique to English.
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(Concrete Fiction. Offered here for the first time in book...)
Concrete Fiction. Offered here for the first time in book form are important selections from Richard Kostelanetz's esteemed experimental texts. Minimal Fictions encompasses some 400 stories which, taken together, form a fictional world that is as visually surprising as it is verbally resonant. It should be emphasized that there is a clear difference between the minimalism practiced by Carver and Barthelme and the truly radical minimalism--analogous to that devised by musicians and painters in the 1960's--of someone like Richard Kostelanetz, who since 1970 has produced a number of highly original fictions in the forms of lines, numbers, one-, two-, and three-word sequences, and other severely attenuated elements. (Larry McCaffery).
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(A Dictionary of the Avant-Gardes recognizes that change i...)
A Dictionary of the Avant-Gardes recognizes that change is a driving force in all the arts. It covers major trends in music, dance, theater, film, visual art, sculpture, and performance art--as well as architecture, science, and culture.
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(This collection of essays (some reprinted) from the leadi...)
This collection of essays (some reprinted) from the leading avant-garde critic of the era focuses on individual performances and performers, providing a unique critical record of their work and of the movement. Vito Acconci, Lenny Bruce, Jean Dupuy, Karen Finley, Timothy Leary, The Living Theater, Robert Watts, Zaj; one is fortunate that Kostelanetz was there.
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( Philip Glass, composer of symphonies, operas (Einstein ...)
Philip Glass, composer of symphonies, operas (Einstein on the Beach, Akhnaten, Orphée), film scores (Kundun, Mishima, Koyaanisqatsi), songs, and music for dance is a musician who determined early on that he wanted to compose independently, apart from institutions. That decision has made him a controversial figure among academic musicians, in spite of his rigorous training at Juilliard, and with Nadia Boulanger in Paris. Richard Kostelanetz has gathered a lively and varied collection of writings about Philip Glass's work, along with several interviews and a conversation between Glass and sculptor Richard Serra. The chronology of the works and discography have been updated for the paperback edition.
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(Thirty-five essays explore major topics in modern music, ...)
Thirty-five essays explore major topics in modern music, including Machine Art, Electronic Art and the Aesthetics of Technology; Perspectives on Composers and Modern Society; Sound Space, and Meaning; Twelve-Tone and Serial Composition; Music Among the Arts; and Jazz and Popular Music. Includes contributions from Ives, Gershwin, Varése, Schoenberg, Babbitt, James Joyce, Amiri Baraka, and more.
http://www.amazon.com/gp/product/0028645812/?tag=2022091-20
(Long regarded among the principal American critics and th...)
Long regarded among the principal American critics and theorists of the avant-garde in literature and the arts, Kostelanetz presents a contemporary guide to reading vanguard literature. Recalling the purpose of Ezra Pound, Kostelanetz guides the reader to an "acceptance and understanding of radically new art." The writer/artist RICHARD KOSTELANETZ, born in New York City in 1940, attended Brown, Columbia, and the University of London on Woodrow Wilson, New York State Regents, and Fulbright fellowships, taking his M.A. in American intellectual history. He subsequently received fellowships from the Guggenheim Foundation, The Fund for Investigative Journalism, Pulitzer Foundation, the American Public Radio Program Fund, and the DAAD Berliner Kunstlerprogramm, in addition to several grants from the visual arts and media arts programs of the National Endowment for the Arts. For semesters he has been a Visiting Professor of American Studies and English at the University of Texas and a Visiting Professor of graduate theater at Hunter College, CUNY. He has lectured and presented his work at scores of institutions around the world. For his entire adult life he has lived in his home town, currently in the Rockaways after nearly three decades in SoHo, surrounded by thousands of books, hundreds of videotapes, thirty feet of long-playing records, scores of cassettes, several audio and video machines, and his own artwork. Since beginning to publish in national magazines in 1961, he has contributed poems, stories, articles, reviews, and experimental prose to hundreds of magazines both here and abroad. He has written more than fifty books of criticism, cultural history, and creative work, in addition to editing over three dozen anthologies of art and exposition.
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(Poetry. In this striking collection, Kostelanetz, a giant...)
Poetry. In this striking collection, Kostelanetz, a giant of American letters, reviews his extraordinary career in all facets of visible writing. Not to be missed by anybody interested in experimental writing and art. Specially designed by Igor Satanovsky. Individual entries on richard kostelanetz appear in Contemporary Poets, Contemporary Novelists, Postmodern Fiction, Baker's Biographical Dictionary of Musicians, A Reader's Guide to Twentieth-Century Writers, the Merriam-Webster Encyclopedia of Literature, Webster's Dictionary of American Authors, The HarperCollins Reader's Encyclopedia of American Literature, and the Encyclopedia Britannica, among other distinguished directories. Living in New York, where he was born, he still needs $2.00 (US) to take a subway.
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( This collection of twenty-nine essays represents a summ...)
This collection of twenty-nine essays represents a summation of Kostelanetz’s thoughts on poetry since the publication of his earlier work The Old Poetries and the New. In sections on The New Poetries,” Some Old,” and Autobiographical Addenda,” the essays range from sketches of Kenneth Burke, John Berryman, and Northrop Frye through considerations of the latest sound-text poetry to Kostelanetz’s justification of his own work. These pieces reflect Kostelanetz’s ongoing commitment to the esthetics he ascribes to high modernisminnovation, abstraction, intelligence, and complexity in all the arts.
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(The Maturity of American Thought was begun in the late 19...)
The Maturity of American Thought was begun in the late 1960s, with the help of a Guggenheim Fellowship. It was meant to be a comprehensive intellectual history of post-WWII America (1945-68), and its thesis was that only in the post-War period did American thinking in many fields achieve first-rank importance and major international influence. My strategy in writing this book was less to prove this thesis, which I took to be virtually self-evident to those who knew (and cared) than to identify and summarize what this major thinking was. I completed several chapters before putting the project aside to complete something else; it was never resumed. The chapters I finished beyond the introduction covered “Historiography,” “Sociology,” “Social Philosophy,” “Government,” “Anthropology,” “Esthetics,” “Architecture,” and “Literary Criticism.”
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(Soho: The Rise and Fall documents how a little-known indu...)
Soho: The Rise and Fall documents how a little-known industrial neighborhood in New York became, through one of the accidents of history, a nexus of creative activity for a brief but intensive period. Such an ideal situation--entirely unplanned--could not last forever; the author shows how market forces squeezed out this art utopia, to be replaced by a shadow of its former self.
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(A memoir composed of individual portraits of women known,...)
A memoir composed of individual portraits of women known, written in 1986, unpublished until now. One theme is the variety of experiences available between 1965 and 1985 in New York City, to which this book is dedicated. Consider this to be another volume in Kostelanetz's decades-old project of alternative autobiographies.
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(For a second edition of my SoHo: The Rise and Fall of an ...)
For a second edition of my SoHo: The Rise and Fall of an Artists’ Colony (Routledge, 2003), I prepared not only a revised master text currently on my harddisk, ideally to be used in a reprint, but these notes that I publish here to enhance the reader’s experience of the original book.
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(RICHARD KOSTELANETZ has been publishing radically alterna...)
RICHARD KOSTELANETZ has been publishing radically alternative narratives, mostly in literary magazines, for over three decades. Among the many books and chapbooks printing his fictions are In the Beginning (1971), Short Fictions (1974), Numbers: Poems & Stories (1974), Openings & Closings (1975), Constructs (1975), Come Here (1975), One Night Stood (1977), Constructs Two (1978), Foresthortenings and Other Stories (1978), Tabula Rasa (1978), Inexistences (1978), Exhaustive Parallel Intervals (1979), More Short Fictions (1980), Reincarnations (1981), Epiphanies (1983), Constructs Three-Six (four books, 1991), Flipping: A Constructivist Novel (1991), Fifty Constructivist Stories (1991), Intermix (1991), Two-Element Stories (2003), Minimal Fictions (1996), 3-Element Stories (1998), Seven Jewish Short Fictions (2007), Furtherest Fictions (2007), Micro Stories (2010), Thrice (2010), Erotic Minimal Fictions (2010), Epiphanies Complete (2011), Lovings (2011), More Openings & Closings (2011), Epiphanies I & II (2012), 1001 Enumerated Stories (2012), Openings (2012), Minimal Erotic Fictions (2012), GhoStories (2012), Verbal Fictions (2012), Visual Fictions (2013), Conceptual Fictions (2012), CF 1 (2013), Symmetries (2013), GhoSTories (2013), To&Fro& (2013), Ops & Clos (2013), Homophones: Stories ( 2013), and 1-99 (2013).
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( Although excellent anthologies of visual literature hav...)
Although excellent anthologies of visual literature have been available to English readers for more than a decade, there has not been a supportive body of visual literature criticism in the English language. Books have appeared in the European languages, but have never been translated. Richard Kostelanetz has assembled the first collection of critical essays in English that assesses the expanding range of creative activity encompassed by visual literature. Each of the essays is original with this volume. The contributors are John M. Bennett, Geoffrey Cook, Charles Doria, Loris Essary, Raymond Federman, Engen Gomringer, Roland Grass, Dick Higgins, Emma Kafelanos, John Jacob, Jerome Klinkowitz, Aaron Marcus, Peter Mayer, Holly O’Grady, Clive Phillpot, Bern Porter, Jonathan Price, Keith Rahmmings, Stephen Scobie, David W. Seaman, Fred Truck (Bolon Dzacab), Karl Young, Paul Zelevansky, and the editor.
http://www.amazon.com/gp/product/0809309505/?tag=2022091-20
( One of America's most distinguished independent artists...)
One of America's most distinguished independent artists/intellectuals, Richard Kostelanetz, has written a prescient volume that uses, as a starting point, the philosopher Robin Collingwood's notion that the historian and the novelist have much in common, for both attempt to define the largest lines of historical development. Aside from the introduction and conclusion, which were specifically written for this publication, these insightful chapters on four outstanding African-American novelists were composed and appeared in journals in the late 1960s. Kostelanetz saw the writing on the wall and told readers about it more than twenty years ago. In his analysis of the novels written by pioneering Black novelists James Weldon Johnson (1871-1938), W. E. B. Du Bois (1868-1963), Richard Wright (1908-1960), and Ralph Ellison (1914-), Kostelanetz culls their political meanings and interprets experience suggestive of political meanings. Kostelanetz places these meanings into a chronological framework that transforms the book from a political or literary history into a history of ideas in literature. This painstaking analysis of fiction--to deduce themes that are then interpreted as intellectual history--is an original scholarly approach to these novels. After presenting a typology of political alternatives for African-America, Kostelanetz looks at the work of writer/diplomat/editor James Weldon Johnson, whose groundbreaking novel, Autobiography of an Ex-Colored Man, appeared in 1912. Chapter three analyzes the novels of writer/editor/teacher W. E. B. Du Bois, whose work promoted greater understanding of African-Americans. Richard Wright, hailed as the most eloquent spokesman for African-Americans of his generation upon publication of his powerful first novel, Native Son, is considered in the following chapter. Chapter five is devoted to Ralph Ellison whose first novel, The Invisible Man, won the National Book Award and achieved prominence as a primary text on the experience of Blacks in America. This close reading of fiction for political implications closes with an appendix of two essays also written in the 1960s about the figures and issues discussed in this study. The novels treated here retain a kind of eye-witness account from the front immediacy that, combined with Kostelanetz's enduring insights, will make Politics in the African-American Novel an important addition to courses in American history, African-American politics, or African-American literature. Informed general readers will also find much to ponder in this book.
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(The literary legacy of Gertrude Stein (1874-1946) consist...)
The literary legacy of Gertrude Stein (1874-1946) consists of numerous works in which the traditional restraints of language are abandoned for spontaneous and surprising expression. Her writings challenge the reader, yet also offer an inviting liberation, and because of this they have not only endured but proven highly influential. The Gertrude Stein Reader collects fifty one of Stein's poems, stories, portraits, and plays, along with excerpts from Matisse, Picasso, and Gertrude Stein with Two Shorter Stories; A Book Concluding with As a Wife Has a Cow, A Love Story; Geography and Plays; An Acquaintance with a Description; and Useful Knowledge. The extensive introduction provides a brief biography and explains the impact her work had on subsequent writers and artists.
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(Poetry. Art. This book features important new visual work...)
Poetry. Art. This book features important new visual works by one of the U.S.'s best known and respected avant-garde writers. "The principal subject of my poems is qualities indigenous to words themselves; everything else should be shunted aside as something else"--Richard Kostelanetz. "Kostelanetz is probably the world's most experimental writer, or at least he represents the farthest extreme of the formalist approach within the broader field of 'experimental writing.'...His output in 'visual poetry,' a medium between poetry and painting which differs from most concrete poetry by being non-linear and non-synatactic, is among his most significant work"--A Reader's Guide to Twentieth-Century Writers.
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writer media and visual artist
Kostelanetz, Richard was born on May 14, 1940 in New York, United States. Son of Boris and Ethel (Cory) Kostelanetz.
AB with honors, Brown University, 1962. Postgraduate (Fulbright scholar), King's College, University London, 1965. Master of Arts, Columbia University, 1966.
Program associate thematic studies John Jay College City University of New York, 1972-1973. Senior staff Indiana University Writers' Conference, 1976. Visiting professor English and American studies University Texas at Austin, 1977.
Visiting professor of theater Hunter College, City University of New York, 2002. Guest Mishkenot Sha'ananim, Jerusalem, 1979, 86, German Academic Exchange Service Berliner Kunstlerprogramm, 1981-1983. Master artist Atlantic Center for the Arts, 2001.
( One of America's most distinguished independent artists...)
(Thirty-five essays explore major topics in modern music, ...)
(For a second edition of my SoHo: The Rise and Fall of an ...)
( Philip Glass, composer of symphonies, operas (Einstein ...)
(Articles providing a chronology of Cage's life and work 1...)
(This collection of essays (some reprinted) from the leadi...)
( Although excellent anthologies of visual literature hav...)
(Soho: The Rise and Fall documents how a little-known indu...)
(Long regarded among the principal American critics and th...)
(The literary legacy of Gertrude Stein (1874-1946) consist...)
( This collection of twenty-nine essays represents a summ...)
(signed by Cage on first blank page; good overall with no ...)
(RICHARD KOSTELANETZ has been publishing radically alterna...)
(Erotic Minimal Fictions collects from stylistically avant...)
(Conversing With Cage is the ideal introduction to this wo...)
(The Maturity of American Thought was begun in the late 19...)
(A memoir composed of individual portraits of women known,...)
(A Dictionary of the Avant-Gardes recognizes that change i...)
(The End of Intelligent Writing: Literary Politics in Amer...)
(12 From The Sixties, by Kostelanetz, Richard, Ed.)
(American Studies, Literary Studies)
(Book by Kostelanetz, Richard)
(First Published in 2003. Routledge is an imprint of Taylo...)
(Will be shipped from US. Brand new copy.)
(Hardcover collection.)
(Concrete Fiction. Offered here for the first time in book...)
(A design classic. A must have for any Bauhaus fan.)
(Sociology)
(Poetry. Long concerned with poetic invention, the indispu...)
(Poetry. In this striking collection, Kostelanetz, a giant...)
(Poetry. Art. This book features important new visual work...)
(poems)
(2)
(.)
Member National Coalition Indiana Scholars, International Association Art Critics, Society for Origination of Horspiel in American, Phi Beta Kappa.