Background
Jean Robert Planquette was born in Paris, France on the 31st of July 1850.
(Excerpt from La Confession de Rosette: Opérette en un Act...)
Excerpt from La Confession de Rosette: Opérette en un Acte Ma famille Ma bisa1eùle mon meule, m_a grand'mere Maman aussi l'aurait été, si elle n'était pas morte en me. Donnant le Jour. Et dire que dans le moment où je vous 1131. Le, mon sort se décide. Je ne conçois rien à ce que j'éprouve, j'espère et j'espere pas, j'ai confiance et je me. Mais au fait, s'ils ne me nomm'ent pas, qui pour raient ils bien nommer à ma place?. Non,j'ai beau pas dans tout le pays. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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Jean Robert Planquette was born in Paris, France on the 31st of July 1850.
He was educated at the Conservatoire.
Le Chevalier Gaston was produced in 1879 with little success.
In 1880 came "Les cloches de Corneville" which had a long run in London in 1887. In this work he showed a fertile vein of melody, which won instant recognition. There is in his music a touch of pathos and romantic feeling, which, had he cared to cultivate it, would have placed him far above contemporary writers of opéra bouffe. Unfortunately, he did little but repeat the formula which originally brought him reputation.
The Old Guard, and La Cantinicre, which was translated into English as Nectarine, never produced.
In 1882 Rip van Winkle was produced in London, being subsequently given in Paris as Rip, in both cases with remarkable success. The libretto, an adaptation by H. B. Farnie of Washington Irving's famous tale, brought out what was best in Planquette's talent.
In 1884 the phenomenon of an opera by a French composer being produced in London previously to being heard in Paris was repeated in Nell Gwynne, which was tolerably successful, but failed completely when produced in Paris as La Princesse Colombine. It was followed by La Cremaillere (Paris, 1885), Surcouf (Paris, 1887; London, as Paul Jones, 1889), Captain Therese (London, 1887), La Cocarde tricolore (Paris, 1892), Le Talisman (Paris, 1892), Panurge (Paris, 1895) and Mam'zelle Quat'sous (Paris, 1897).
He sprang into fame as the composer of Les cloches de Corneville, which earned international fame. It received over 1200 performances in Paris and London and remains a staple of the light opera repertory.
One of his songs, the patriotic "Sambre et Meuse" (1871), is known today in its arrangement for brass band.
A street in Paris is named for him.
(Excerpt from La Confession de Rosette: Opérette en un Act...)