Background
Long, Robert Emmet was born on June 7, 1934 in Oswego, New York, United States. Son of Robert Emmet and Verda (Lindsley) Long.
(We sell Rare, out-of-print, uncommon, & used BOOKS, PRINT...)
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http://www.amazon.com/gp/product/0804425450/?tag=2022091-20
(Broadway, the Golden Years is a wonderfully readable grou...)
Broadway, the Golden Years is a wonderfully readable group portrait, or series of biographies as well as historical overview, of the great Broadway choreographers, from the World War II era to our own time: Jerome Robbins, Agnes de Mille, Gower Champion, Bob Fosse, Michael Bennett, Tommy Tune, Graciela Daniele, Susan Stroman, and others. The hits generated by two generations of choreographer-directors define the Broadway stage—and popular culture—of our time: Oklahoma!; Brigadoon; On the Town; Damn Yankees; West Side Story; Gypsy; How to Succeed in Business without Really Trying; A Funny Thing Happened on the Way to the Forum; Hello, Dolly!; Fiddler on the Roof; A Chorus Line; Dancin'; Dream Girls; My One and Only; The Pirates of Penzance; The Producers, and many others. This book is thoroughly researched. Robert Emmet Long conducted dozens of interviews with his subjects themselves as well as those who worked with them (especially true of the late Jerome Robbins, who personally arranged a number of interviews with colleagues). Long secured the cooperation of artists who do not typically give interviews. He attended rehearsals and full-dress performances. In short, as much as history, this book is also a colorful behind-the-scenes show-business story. Broadway, the Golden Years includes 15 pictures, both portraits and shots of productions and the choreographer-directors at work. It will appeal to the millions among us who can't get a Broadway-dance tune out of our heads, or who want to know more about a favorite production.
http://www.amazon.com/gp/product/0826413471/?tag=2022091-20
(Chronicles the nearly 30-year collaboration of three peop...)
Chronicles the nearly 30-year collaboration of three people who produced exquisitely crafted features such as A Room with a View and the Academy Award-winning Howard's End--producer Ismail Merchant, screenwriter Ruth Prawer Jhabvala, and director James Ivory. Photos, many in color.
http://www.amazon.com/gp/product/0806514701/?tag=2022091-20
(Generations of filmmakers and film audiences have been in...)
Generations of filmmakers and film audiences have been inspired by the work of Ingmar Bergman. This is the first fully illustrated account of each of his films, from his earliest work in the 1940s to the 1950s that established him as Europe's most important and innovative director. By the 1960s, hardly a year would pass without a new Bergman movie including The Virgin Spring, Cries and Whispers, Scenes from a Marriage, and many more. His production of classics for the stage is also discussed. Illustrated with over 200 photographs and with a bibliography and filmography, this book reveals one of the most astonishing careers in the history of the cinema.
http://www.amazon.com/gp/product/B000NQM5S6/?tag=2022091-20
( James Ivory in Conversation is an exclusive series of i...)
James Ivory in Conversation is an exclusive series of interviews with a director known for the international scope of his filmmaking on several continents. Three-time Academy Award nominee for best director, responsible for such film classics as A Room with a View and The Remains of the Day, Ivory speaks with remarkable candor and wit about his more than forty years as an independent filmmaker. In this deeply engaging book, he comments on the many aspects of his world-traveling career: his growing up in Oregon (he is not an Englishman, as most Europeans and many Americans think), his early involvement with documentary films that first brought attention to him, his discovery of India, his friendships with celebrated figures here and abroad, his skirmishes with the Picasso family and Thomas Jefferson scholars, his usually candid yet at times explosive relations with actors. Supported by seventy illuminating photographs selected by Ivory himself, the book offers a wealth of previously unavailable information about the director's life and the art of making movies. James Ivory on: On the Merchant Ivory Jhabvala partnership: "I've always said that Merchant Ivory is a bit like the U. S. Govenment; I'm the President, Ismail is the Congress, and Ruth is the Supreme Court. Though Ismail and I disagree sometimes, Ruth acts as a referee, or she and I may gang up on him, or vice versa. The main thing is, no one ever truly interferes in the area of work of the other." On Shooting Mr. and Mrs. Bridge: "Who told you we had long 18 hour days? We had a regular schedule, not at all rushed, worked regular hours and had regular two-day weekends, during which the crew shopped in the excellent malls of Kansas City, Paul Newman raced cars somewhere, unknown to us and the insurance company, and I lay on a couch reading The Remains of the Day." On Jessica Tandy as Miss Birdseye in The Bostonians: "Jessica Tandy was seventy-two or something, and she felt she had to 'play' being an old woman, to 'act' an old woman. Unfortunately, I'couldn't say to her, 'You don't have to 'act' this, just 'be,' that will be sufficient.' You can't tell the former Blanche Du Bois that she's an old woman now." On Adapting E. M. Forster's novels "His was a very pleasing voice, and it was easy to follow. Why turn his books into films unless you want to do that? But I suppose my voice was there, too; it was a kind of duet, you could say, and he provided the melody." On India: "If you see my Indian movies then you get some idea of what it was that attracted me about India and Indians...any explanation would sound lamer than the thing warrants. The mood was so great and overwhelming that any explanation of it would seem physically thin....I put all my feeling about India into several Indian films, and if you know those films and like them, you see from these films what it was that attracted me to India." On whether he was influenced by Renoir in filming A Room with a View "I was certainly not influenced by Renoir in that film. But if you put some good looking women in long white dresses in a field dotted with red poppies, andthey're holding parasols, then people will say, Renoir.’" On the Critics: "I came to believe that to have a powerful enemy like Pauline Kael only made me stronger. You know, like a kind of voodoo. I wonder if it worked that way in those days for any of her other victimsWoody Allen, for instance, or Stanley Kubrick." On Andy Warhol as a dinner guest: I met him many times over the last twenty years of his life, but I can't say I knew him, which is what most people say, even those who were his intimates. Once he came to dinner with a group of his Factory friends at my apartment. I remember that he or someone else left a dirty plate, with chicken bones and knife and fork, in my bathroom wash basin. It seemed to be a symbolic gesture, to be a matter of style, and not just bad manners."
http://www.amazon.com/gp/product/0520234154/?tag=2022091-20
( The first book devoted to the literary relationship bet...)
The first book devoted to the literary relationship between Henry James and his American predecessor, Nathaniel Hwthorne. Robert Emmet Long demonstrates James’ transformation of Hawthorne’s romantic forms into realism, as one of the significant features of James’ early career. Long shows that Hawthorne provided James ith a native tradition having its own conceptions of American psychological experience.
http://www.amazon.com/gp/product/0822933985/?tag=2022091-20
Long, Robert Emmet was born on June 7, 1934 in Oswego, New York, United States. Son of Robert Emmet and Verda (Lindsley) Long.
Bachelor, Columbia College, 1956; Master of Arts, Syracuse University, 1964; Doctor of Philosophy, Columbia University, 1968.
Instructor State University of New York, Cortland, 1962-1964. Assistant professor Queens College, City University of New York, New York City, 1968-1971. Writer, since 1971.
(Broadway, the Golden Years is a wonderfully readable grou...)
(Chronicles the nearly 30-year collaboration of three peop...)
( James Ivory in Conversation is an exclusive series of i...)
( The first book devoted to the literary relationship bet...)
(Generations of filmmakers and film audiences have been in...)
(We sell Rare, out-of-print, uncommon, & used BOOKS, PRINT...)
(Ingmar Bergman is among the world's most influential dire...)
(This book is an in-depth look at the art and evolution of...)
(SIGNED BY JAMES IVORY. Beautiful coffee table book that c...)
(EXCELLENT BOOK!!!!)
(rare)