Education
In 1873, he enrolled at the "Liceu de Artes e Ofícios do Rio de Janeiro", where he studied with Victor Meirelles. From 1879 to 1887, he lived and studied in Paris.
In 1873, he enrolled at the "Liceu de Artes e Ofícios do Rio de Janeiro", where he studied with Victor Meirelles. From 1879 to 1887, he lived and studied in Paris.
The following year, he transferred to the Academia Imperial de Belas Artes. Initially, he attended the Académie Julian, but finally managed to enroll at the École des Beaux-arts in 1880, where he received the guidance of Alexandre Cabanel, Paul Baudry and Puvis de Chavannes. From 1882 to 1884, he participated in the Salon while developing his primary themes of mythology, Biblical scenarios and Indianismo.
On his return to Rio de Janeiro in 1888, he was appointed an Honorary Professor as the Academia, but actually taught at the Escola Politécnica and held his first personal exhibition.
He later became a Professor at the Escola Nacional de Belas Artes (ENBA), where he encouraged students to research the various process of painting (tempera, encaustic, watercolor etc). He also served as Vice-Director and Acting Director on several occasions.
In addition to his canvases, he painted panels for the Supremo Tribunal Federal in 1909, the Biblioteca Nacional and the Theatro Municipal do Rio de Janeiro in 1916. Two years later, he was awarded the Second Chair in the School of Painting, a position he held until 1934.
Among his best-known students were the brothers Arthur Timótheo da Costa and João Timóteo da Costa, Lucílio de Albuquerque, Eliseu Visconti and Cândido Portinari.