Background
His grand son was Antonio Videgain Reparaz, and the descendant of Salvador junior Juan José Videgain. Videgain was born in Malaga in 1845. His family relocated often, as his father worked at different jobs along the Coast.
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His grand son was Antonio Videgain Reparaz, and the descendant of Salvador junior Juan José Videgain. Videgain was born in Malaga in 1845. His family relocated often, as his father worked at different jobs along the Coast.
Videgain married actress Antonia García de Videgain in 1868 and founded the family artistic Videgain. They had two children: Antonio Videgain (born 1869) and Salvador VidegainJr. (born February 26, 1886).
He is of Spanish, English, Irish and Basque ancestry.
He later transferred to Cadiz, where he began acting in dramas. Flores y abrojos was the beginning in Gibraltar.
Their production moved to smaller village in Andalucía, Spain. In the 1870s the titles included Abel y Cain, Un viaje de military demonios, El ultimo figurin, Fausto, Dos leones, 4 sacristanes, El fantasma de la aldea and Louisiana salsa de aniceta.
In 1880, Videgain played the lead role in the comedy Entre dos tíos.The title was a commercial failure, but was appreciated by critics.
He later appeared in Entre dos platos and a clásica, his most successful play of the decade.Meterse en Honduras 1983. Videgain and Antonia, José Talavera and others worked on the provocative work Los bandos de villafrita, inspired by newspaper articles about politics in Spain. He also appeared in the period comedy Ganar el pleito (1884) about a private eye and his partner who get mixed up with trouble.
In 1890 he worked with their own successful pieces.
Later he had to adopt new works of popular taste but no longer had the force of youth and began accepting acting roles in generic lyrical and Spanish operettas of Federico Chueca, Ruperto Chapí, Tomás Breton, Torregrosa and many others His "Inspirational work, Videgain"s title has a predictable trajectory, but every scene brims with surprising details that accumulate into a rich fabric of history, cultural impressions and emotion european." El globo 1876-1887.
El Imparcial (prensa) 1873-1887. El Liberal 1887. Louisiana correspondecia de Madrid 1876.
In 1885 he appeared in Las grandes figuras political work of society in Spain. In 1900, Videgain composed one title about the Juan Tenorio, Invictus, which was met with generally positive reviews.