Background
Mützner was born in Bucharest, Romania, on December 13, 1884. He was born into a middle-class family.
Calea Griviței 28, București 010702, Romania
Bucharest National University of Arts.
Akademiestraße 2-4, 80799 Munich, Germany
Academy of Fine Arts, Munich.
Mützner was born in Bucharest, Romania, on December 13, 1884. He was born into a middle-class family.
Between 1899 and 1900 Samuel Mützner studied at the Bucharest National University of Arts with professors Eugen Voinescu, Wladimir Hegel and George Demetrescu Mirea and then for three years at the Academy of Fine Arts, Munich, with Karl Raupp, Anton Azbe and Simon Hollosy.
In 1903, at the age of 19, Mützner went to Paris, where he enrolled at the Académie Julian (now ESAG Penninghen), from which he graduated in 1908 after studying with Paul Laurens. Then he continued his education at the New Academy of Painting (Academia Nouvelle de Peinture) in Algiers, where he studied since 1910.
Mützner created his own style after two years spent alongside Claude Monet in Giverny. There between 1908 and 1910 he painted landscapes in the Pointillism technique.
He exhibited for the first time in 1906 and in 1912 in Romania; Mützner opened an exhibition at the Romanian Athenaeum with his works in France and Algeria. During 1912-1918, he made trips to the Middle East (Tunisia) and Japan, where he spent three years, 1912-1915.
Samuel Mützner visited Oceania and South America but worked mostly in Venezuela in Caracas where he lived between 1916 and 1918. In 1918 he held an exhibition in Caracas. Here, at Club Venezuela, he presented a series of small format screens, made in August 1918 on the island of Margarita, producing his works in techniques and procedures still unknown among Caracas artists. He left Venezuela in 1919, however during his brief stay there, he greatly influenced Venezuelan artists of the Circle of Fine Arts (Círculo de Bellas Artes).
Mützner returned to the country in 1923. After that year, he became interested in the peasant subjects, perhaps under the influence of his wife, the painter Rodica Maniu. He was particularly concerned about the issue of life in the Romanian village. The couple worked together at Sopârlita, a picturesque village in Oltenia, perfect for the artists, where the family of his wife resided.
Starting from 1937, Samuel Mützner gradually removed from public life as well as his artistic career. After the war, Samuel Mützner's situation became highly insecure, because of the new regime, who considered him "the bourgeoisie" and started to apply sanctions against him.
Minaret la Balcic
In the Garden
The Gate of Lama Temple, Peking
Stradă din Sevilla
Marina
Scenă japoneză
Primăvară la Kyoto
Natură statică cu muschetar
Stradă în Tunis
Sevilla
La Moși
Nuntă la sat
Peisaj de amiază
The Sunflower Has Grown
Gardens in Sevilla
Woman Playing the Guitar
Landscape from Corsica (Ajaccio)
Mahoane la mal
Primăvară la Kyoto
Roses in Balcic
Woman with Japanese Umbrella
Landscape from Giverny
Cobra Dance
Veneţia
Antique Legend
Patio la Sevilla
Chrysanthemums in Japanese Vase
Cișmigiu Garden
Haystack at Giverny
Iarmaroc de Moși
Carusel la Moși
Figaro
Balcic Hills
Vară
Marina
Japanese Garden
Vedere din Balcic
Bridge in Venice
Pagota in Kiyotaki
Peisaj cu turmă de oi
Oriental Dancer
Springtime in Balcic
Countryside Flowers
Vedută venețiană
Self-Portrait at Easel
Cișmigiu
Tatar Quarter in Balcic
Quarter in Tunis
Landscape in Giverny
Intimitate
With Mum
Târg în Grande Jatte
Cafe in Gabes
Turkeys
Zi de primăvară
Potecă prin peisaj provensal
Algerian Scene
Springtime
Sunset Effect on the Lake
Gabès Cityscape
Woman in the Garden, at Șopârlița
Jeune femme de profil
Fishing Nets Drying
Quarter in Tunis
Peasant Dish with Apples
Balcic Gulf
Odaliscă
Corn Field
Samuel Mützner married the painter Rodica Maniu in 1923. She was the sister of the poet Adrian Maniu.