Education
He studied art at Saint Martin"s School of Art in London from 1977–1980 and at The Royal College of Art, also in London, from 1982-1985.
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Simon Bill
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Career
His work is in the public collection of the Leeds City Art Gallery. Bill has almost exclusively exhibited oval paintings on plywood or Magyar Demokrata Forum (Hungarian Democratic Forum) board, each measuring 127 cm / 97 cm / 5 cm. The subjects of his work are as varied as the materials he uses to create them, which include oil, acrylic, spray, day-glo, blackboard, and glass paints, as well as parcel string, gaffer tape, silicon, permanent markers, various types of foam, emulsion, corn, PVA, foil, fabric swatches, wood stains, hair, yacht varnish, modeling paste, drilled holes, fake gems, polystyrene, and wool.
Writing in Frieze, in 1994, the art critic Jeffrey Kastner said,
"You’ve got to wonder about Simon Bill.
He paints large, wickedly distorted portraits of former British icons - such as Mr Blobby and the little squeezy-toy Troll guy - in a pastily translucent mixture of oil and dirty wax, like serendipitously congealed puddles of corrupted bodily fluids. These monumentally ugly paintings are so studiously unpleasant, so fuck-you disgusting that they don’t so much red-line the shock meter as overload it entirely.
In fact, his whole plan relies on them spending at least some time down among the worms. He prefers to wait for the rot to set in a bit before digging them up and performing his malevolent reanimations on them."
Solo exhibitions include The Loved One (2008) at Patrick Painter Incorporated. in Santa Monica, California, Odd (2007) at Figge von Rosen Galerie, Cologne, Germany, Oooh! (2006) at Stuart Shave/Modern Art in London, OOO! (oval paintings) (2006) at Outpost Gallery, in Norwich, and Three Painters: Simon Bill (2002) at The Cornerhouse in Manchester.
