Background
Caulfeild was born in Teignmouth in 1824 to Wade Toby Caulfeild. Her father was from a minor branch of a noble family.
(an encyclopaedia of artistic, plain, and fancy needlework...)
an encyclopaedia of artistic, plain, and fancy needlework, dealing fully with the details of all the stitches employed, the method of working, the materials used, the meaning of technical terms, and, where necessary, tracing the origin and history of the various works described
http://www.amazon.com/gp/product/0600328856/?tag=2022091-20
(The dictionary of needlework, an encyclopaedia of artisti...)
The dictionary of needlework, an encyclopaedia of artistic, plain, and fancy needlework, dealing fully with the details of all the stitches employed, the method of working, the materials used, the meaning of technical terms, and, where necessary, tracing the origin and history of the various works described. Illustrated with upwards of 800 wood engravings. Plain sewing, textiles, dressmaking, appliances, and terms, by S. F. A. Caulfeild. Church embroidery, lace, and ornamental needlework, by Blanche C. Saward. London, L. U. Gill, 1882.
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(Leopold is delighted to publish this classic book as part...)
Leopold is delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. This means that we have checked every single page in every title, making it highly unlikely that any material imperfections – such as poor picture quality, blurred or missing text - remain. When our staff observed such imperfections in the original work, these have either been repaired, or the title has been excluded from the Leopold Classic Library catalogue. As part of our on-going commitment to delivering value to the reader, within the book we have also provided you with a link to a website, where you may download a digital version of this work for free. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience. If you would like to learn more about the Leopold Classic Library collection please visit our website at www.leopoldclassiclibrary.com
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(Excerpt from The Dictionary of Needlework, Vol. 6: An Enc...)
Excerpt from The Dictionary of Needlework, Vol. 6: An Encyclopaedia of Artistic, Plain, and Fancy Needlework; Tat to Zul Double, join to the last Purl on the third oval; work 1 Purl, 4'doub1e, 1 Purl, 8 Double. 'turn the work, and repeat the three ovals made with the shuttle thread, join the first to the straight line by passing the thread round the straight line after the first 4 Double is worked, and omit the Purl there. Then work 4 Double and join to the third loop of the first group of ovals, work the rest of the first oval and the others as already described, and repeat the ovals and the connecting line to the end of the Edging. Sew the Edging on to the material with the help of the Purls upon the connecting line. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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(Excerpt from The Dictionary of Needlework, Vol. 5: An Enc...)
Excerpt from The Dictionary of Needlework, Vol. 5: An Encyclopaedia of Artistic, Plain, and Fancy Needlework; Pat to Tat Placing.-the term commonly employed in reference to Needlework, meaning the adjustment of the several pieces of any article which have to be sewn together. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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( Simply inexhaustible gigantic alphabetical coverage of ...)
Simply inexhaustible gigantic alphabetical coverage of every traditional needlecraft-stitches, materials, methods, tools, types of work; definitions, many projects to be made. Total in set: 1200 illustrations; double-columned text. Only Vol. 2 (M-Z) is available.
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(Excerpt from The Dictionary of Needlework, Vol. 4: An Enc...)
Excerpt from The Dictionary of Needlework, Vol. 4: An Encyclopaedia of Artistic, Plain, and Fancy Needlework; Kni to Pat Over, Knit 3, Over, Take In, Over, Take In, Over, Take In, repeat from i at the end, Knit 1. Fifty-first row like fifth row. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
http://www.amazon.com/gp/product/1333850913/?tag=2022091-20
(Excerpt from The Dictionary of Needlework, Vol. 3: An Enc...)
Excerpt from The Dictionary of Needlework, Vol. 3: An Encyclopaedia of Artistic, Plain, and Fancy Needlework; Emb to Kni Spanish Stitch - This stitch is of two kinds, one where a Cross Stitch is worked on the face of the material and a square on the back; and the other, where a cross enclosed in a square is at the front, and a square at the back. They are only worked when both sides of the material are required to be neat. To work the Cross Stitch: Make an ordinary cross stitch, making the back stitches the top and bottom lines of a square. Re cross the first stitch, and bring the needle out in front, ready to begin the next stitch; three lines of the square at the back are made with each Cross, but they fit into each other, so as to form squares as the work proceeds. To work the second kind: Make a square of stitches in the front of the material, and work a cross stitch -in the open space, passing the thread in horizontal lines from one point to the other at the back of the material. Split Stitch - A stitch much used in ancient Church Embroidery, and in silk Embroideries, to work the faces and hands of figures. It has the appearance of Chain Stitch, but lies atter on the surface, and is more capable of forming the small half-curves, rounds, or lines that follow the contour of the figure, and give the appearance of shading to Embroidery only executed in one colour. It requires to be worked in a frame, and is made as follows: Bring the silk up from the back of the frame, and make a short stitch on the surface, and return the needle to the back. _then bring it up again to the surface through the middle of thelfirst stitch, dividing or splitting the strands of silk' of_ which it is formed by the passage of the needle. Put the needle down again to the back of the work, a short distance above where it came out, and bring it out again to the front in the centre of the second stitch, splitting the strands as before. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."
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(Excerpt from The Dictionary of Needlework, Vol. 2: An Enc...)
Excerpt from The Dictionary of Needlework, Vol. 2: An Encyclopaedia of Artistic, Plain, and Fancy Needlework; Cre to Emb Always work stems in Crewel Stitch and in upright lines; Figs. 174, 175 illustrate two ways of making stems that should be avoided, but which are constantly seen in badly worked embroidery. The rounded appearance given to them by the direction of the stitches serves to raise them from their backgrounds, and gives, instead of the decorative at design that is desired, one in relief. Stems should be simply worked up and down in Crewel Stitch in the manner shown in Fig. 172. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."
http://www.amazon.com/gp/product/1333792883/?tag=2022091-20
(Leopold is delighted to publish this classic book as part...)
Leopold is delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. This means that we have checked every single page in every title, making it highly unlikely that any material imperfections – such as poor picture quality, blurred or missing text - remain. When our staff observed such imperfections in the original work, these have either been repaired, or the title has been excluded from the Leopold Classic Library catalogue. As part of our on-going commitment to delivering value to the reader, within the book we have also provided you with a link to a website, where you may download a digital version of this work for free. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience. If you would like to learn more about the Leopold Classic Library collection please visit our website at www.leopoldclassiclibrary.com
http://www.amazon.com/gp/product/B01N6Q84S4/?tag=2022091-20
(This is a reproduction of a book published before 1923. T...)
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
http://www.amazon.com/gp/product/129471015X/?tag=2022091-20
(Leopold is delighted to publish this classic book as part...)
Leopold is delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. This means that we have checked every single page in every title, making it highly unlikely that any material imperfections – such as poor picture quality, blurred or missing text - remain. When our staff observed such imperfections in the original work, these have either been repaired, or the title has been excluded from the Leopold Classic Library catalogue. As part of our on-going commitment to delivering value to the reader, within the book we have also provided you with a link to a website, where you may download a digital version of this work for free. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience. If you would like to learn more about the Leopold Classic Library collection please visit our website at www.leopoldclassiclibrary.com
http://www.amazon.com/gp/product/B01MZ94P63/?tag=2022091-20
(Reprint of the 1892 edition of "The Dictionary of Needlew...)
Reprint of the 1892 edition of "The Dictionary of Needlework" with hundreds of wonderful engravings illustrating the text describing almost every imaginable type of needlework with a name from A - L. Volume 1 of a two volume publication. "The only unabridged reprint available of the second enlarged edition with 1200 illustrations, including 194 special and 8 color plates."
http://www.amazon.com/gp/product/0486228002/?tag=2022091-20
Caulfeild was born in Teignmouth in 1824 to Wade Toby Caulfeild. Her father was from a minor branch of a noble family.
She frequently worked with Blanche Catherine Saward. Her grandfather was William Caulfeild, 2nd Viscount Charlemont. She had a younger sister called Louisa Lavinia and an elder brother named Henry Cope Caulfeild.
Caulfield lived in Teignmouth.
In 1882 she and Blanche Saward had their Dictionary of Needlework published. The work was available in six volumes and the full title was The dictionary of needlework: an encyclopaedia of artistic, plain, and fancy needlework dealing fully with the details of all the stitches employed, the method of working, the materials used, the meaning of technical terms, and, where necessary, tracing the origin and history of the various works described.
In 1887 she published. Their "bible" has been described as an encyclopedia having 800 woodcut illustrations and over 528 pages.
The subjects were presented in alphabetic orders and the work attempted to describe all aspects of needlework.
The section on embroidery alone ran to 24 pages. This work was aimed at the fashion for needlework and it competed with Thérèse de Dillmont"s Complete Encyclopedia of Needlework published in 1884 and Weldon"s Practical Needlework which was published in monthly parts from 1886. Writers of these vast works were assisted by the copyright law which allowed writers to freely borrow material from periodicals.
Caulfeild died in Kensington in 1911.
(The dictionary of needlework, an encyclopaedia of artisti...)
(an encyclopaedia of artistic, plain, and fancy needlework...)
(Reprint of the 1892 edition of "The Dictionary of Needlew...)
( Simply inexhaustible gigantic alphabetical coverage of ...)
(Leopold is delighted to publish this classic book as part...)
(Leopold is delighted to publish this classic book as part...)
(Leopold is delighted to publish this classic book as part...)
(This is a reproduction of a book published before 1923. T...)
(Excerpt from The Dictionary of Needlework, Vol. 6: An Enc...)
(Excerpt from The Dictionary of Needlework, Vol. 5: An Enc...)
(Excerpt from The Dictionary of Needlework, Vol. 4: An Enc...)
(Excerpt from The Dictionary of Needlework, Vol. 3: An Enc...)
(Excerpt from The Dictionary of Needlework, Vol. 2: An Enc...)
(Lovely collectible book - volume 2.)