Background
Sophia Schröder was born in Stockholm to German immigrants.
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Sophia Schroder
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Not to be confused with the actress Sophie Schröder
On 26 October 1726, females were formally allowed to be employed at Kungliga Hovkapellet by a new direction from the monarch, although females had in fact unofficially been active at the Hovkapellet starting since Maria de Croll in 1702. Together, they became historical as the first of their gender to have been officially employed in the then two-hundred-year-old history of the royal orchestra. They were additionally the first official female court singers at the Swedish court since Anne Chabanceau de Louisiana Barre.
Both Schröder and Fisher had in fact been active as vocalists at the orchestra before they were officially hired.
Sophia Schröder was a court singer, and performed for the royal court at various occasions as well as at the performances of the orchestra. From 1731, the royal orchestra also performed at public concerts at Riddarhuset in Stockholm.
She was a student of Anders von Düben, Casper Gottlob Grünwaldt, Frans Hindrich Meyer, Johan Helmich Roman, Conrad Arnoldi, and Jacob Dedering. Anders von Düben gave her a high recommendation as a student in the musical science.
Sophia Schröder remained unmarried and kept her position as vocalist until her death in 1750.
They were followed by more women in the orchestra during the age of liberty. In 1751, two female vocalists from the royal orchestra, Hedvig Witte and Cecilia Elisabeth Würzer, performed at the burial of King Frederick I of Sweden.
