Background
Crouch, Stanley was born on December 14, 1945 in Los Angeles, California, United States.
( In this penetrating collection of original essays, lege...)
In this penetrating collection of original essays, legendary gadfly and esteemed critic Stanley Crouch tackles the notion on authenticity-what it is, what it isn't, and what we make of it, for good or for bad. While the question of who's the real deal and who isn't has now seeped into nearly every corner of American culture, nowhere does the idea of authenticity hold greater sway than in the realm of ethnicity. In this bracing collection of original essays, Crouch brings all his rhetorical skills to bear on this animating-and polarizing-idea, and investigates the motives behind those who present themselves as authentic, those who claim to expose the inauthentic, and what this all tells us about the state of the arts-from the vaulted halls of literary fiction to the arena of soft drink-shilling pop stars-in America today. For Crouch, this is not simply an academic exercise, but a summation of our peculiar historical moment. Living in a time in which much of the conventions that defined and limited people's futures-whether it be race, class, or sex-have been obliterated, we're both liberated from bigotries and yet-still-facing profound disillusionment. As influences come and go at breakneck speed, as traditions are remade and re-imagined, it has become hard to tell which metaphorical end is up. The result, Crouch argues, is not only a national paranoia that someone may have put something over on us-i.e. that we have too often been duped into believing that the counterfeit is authentic-but also a deep retrenchment of imagination and artistic expression, from white and black alike. As he promises in his introduction: "This book is an argument with all of that, however sympathetic it might be to the search for alternatives to our disappointments. It hopes to present, through affirmation, a new form of rebellion in our time of cosmetic dissent."
http://www.amazon.com/gp/product/0465015158/?tag=2022091-20
(Stanley Crouch identifies the civil rights movement of th...)
Stanley Crouch identifies the civil rights movement of the last four decades as the defining feature of contemporary American society. In Notes of a Hanging Judge, he explores it from all sides--from its epochal triumphs and the forces that have nearly destroyed it, through its great artistic and political success stories, to the crime culture it has been powerless to prevent or control--and traces its complex and ambivalent interactions with the feminist and gay dissent that followed its example. Balancing the passionate involvement of an insider with a reporter's open-minded rigor, and using his virtuosic prose style, Crouch offers uniquely insightful accounts of familiar public issues--black middle-class life, the Bernhard Goetz case, black homosexuals, the career of Louis Farrakhan--that throw fresh light on the position of Afro-Americans in the contemporary world. Even more revealing are Crouch's accounts of his travels, focusing on his perceptions as a black man, that put places as diverse as Atlanta and Africa, or Mississippi and Italy, in unique new perspectives. Perhaps most powerful of all are Crouch's profiles of black leaders ranging from Maynard, to Michael, to Jesse Jackson. Crouch's stern evaluations have been controversial, especially his vision of the Civil Rights Movement as a noble cause "gone loco," mired in self-defeating ethnic nationalism and condescending self-regard, and conspicuously lacking in the spiritual majesty that ensured its great political victories. His discussions of artistic figures, including extended critiques of Toni Morrison and Spike Lee, have also incited much debate. Taken together, these essays represent a major reinterpretation of black, and therefore American, culture in our time.
http://www.amazon.com/gp/product/0195069986/?tag=2022091-20
Crouch, Stanley was born on December 14, 1945 in Los Angeles, California, United States.
Playwright, actor under Jayne Cortez, 1965-1967. Drummer with pianist Raymond King, 1966. Drummer, bandleader with Quartet, Black Music Infinity, since 1967.
Instructor Claremont College, California, 1969-1975. Columnist Los Angeles Free Press, The Cricket, SoHo Weekly News. Jazz critic Village Voice.
Contributing editor New Republic, since 1990. Co-founder, artistic director Lincoln Center jazz program.
(Stanley Crouch, the rarely acknowledged but epic nature o...)
( In this penetrating collection of original essays, lege...)
(Stanley Crouch identifies the civil rights movement of th...)
Fellow: American Academy Arts and Sciences.