Career
Additionally he plays modern flute and choreographs historical forms of dance. Biography and He has had a prolific recording career, recording most of the major baroque works for flute, including Bach"s complete flute sonatas with Trevor Pinnock, orchestral suite in B minor with The English Concert and Vivaldi"s op.10 flute concertos with The Academy of Ancient Music. More recently, He worked as an advisor on historical performance practices with one of America"s most eminent chamber ensembles, the New Century Saxophone Quartet on their highly praised recording of Bach"s Art of Fugue.
From 1981–2001, he worked as a choreographer, principally of historical dance in opera.
He was director of two dance companies, one of which explored the relationship between contemporary and historical performance practices. He lectures, teaches and coaches at some of Britain"s leading music academies, the Royal College of Music, the Royal Academy of Music, the Royal Northern College of Music, Trinity College of Music and the Guildhall School of Music and Drama, as well as giving regular master classes in the United States including Wildacres Flute Retreat in Little Switzerland, North Carolina. He now divides his time between research, teaching and performing.
He is engaged in research into developing new techniques and improvisational forms based on birdsong, for which he received a Doctor of Philosophy From this work he has created a new musical language – ecosonics. An example of ecosonics can be heard in the British Broadcasting Corporation Singers commission The Soft Complaining Flute, by composer Edward Cowie, written for flute and 6 sopranos.
He now regularly performs in a baroque-flute duo (with Amara Guitry), Nodneeya.
They perform "haunting Native American melodies. Virtuosic pieces from the 19th century. Authentic period arrangements of well-loved works by Mozart.
And unique improvisations based on the "duetting" songs of birds".
