Career
He played with Lionel Hampton"s band and in 1946, he recorded with the Billy Eckstine band. In 1947, he played with Sonny Stitt and Milt Jackson, with whom he would continue to play, and record, into the early 1960s, and in 1948, he recorded with JC Heard’s septet in a horn section comprising Joe Newman, Bennie Green, and Wardell Gray. In February 1949, he recorded as part of the Hal Singer Sextet, which included Chippy Outcalt, Walter Buchanan, George “Butch” Ballard, and in April and June that year, he played on New York recording sessions for Radio Corporation of America Victor, backing Big John Greer.
Musicians at those sessions were Frank Galbreath (trumpet), Zolman "Pork" Cohen (trombone), Tony Scott (clarinet), Big John Greer (tenor saxophone, vocals), Houston (on baritone and tenor saxes), Leroy Lovett (piano), Danny Perri (guitar), Henry Holmes (bass) and Art Blakey (drums).
He was headlined with Philosophy Hill’s trio at Detroit’s Blue Bird Inn jazz club, until 1949, when he was replaced by Frank Foster. That October Charlie Parker had jammed with the group.
At the Blue Bird he also played in line-ups with Milt Jackson, Alvin Jackson, Billy Mitchell and Tommy Flanagan. That same year, he appeared on National Adderley"s That"s Right! as part of a sax section comprising Julian "Cannonball" Adderley, Yusef Lateef, Jimmy Heath and Charlie Rouse.
The album was actually credited to National Adderley and the Big Sax Section.
In 1961, he recorded as part of a line-up led by bassist Sam Jones, comprising Cannonball Adderley, Jimmy Heath, Victor Feldman, Houston, National Adderley, Louis Hayes, Keter Betts, Les Spann, Wynton Kelly, Melba Liston and Blue Mitchell.
