Background
Thomas Crow was born in 1948, in Chicago, Illinois.
Thomas Crow, Rosalie Solow Professor of Modern Art at New York University, examines the displaced and wandering existences of Jacques-Louis David and Théodore Géricault, both in geographical and psychological exile, during which each was forced to reexamine and reconfigure the fundamentals of his artistic life.
333 N College Way, Claremont, CA 91711, USA
Thomas Crow studied at Pomona College, where he earned a Bachelor of Arts in 1969.
Los Angeles, CA 90095, USA
Thomas Crow continued his education at the University of California, Los Angeles, where he earned both Master of Arts in 1975 and a Ph.D. in 1978.
500 S State St, Ann Arbor, MI 48109, United States
Thomas Crow was a senior fellow at the Michigan Society of Fellows from 1987 to 1990.
400 7th St SW, Washington, DC 20506, United States
Thomas Crow was a fellow of the National Endowment for the Humanities from 1988 to 1989.
Thomas Crow, Rosalie Solow Professor of Modern Art at New York University, examines the displaced and wandering existences of Jacques-Louis David and Théodore Géricault, both in geographical and psychological exile, during which each was forced to reexamine and reconfigure the fundamentals of his artistic life.
(The book describes how the eighteenth century open Salon ...)
The book describes how the eighteenth century open Salon exhibitions by the French Academy encouraged the public's view and evaluate art, and explains the influence of this public opinion on the painters of the day.
https://www.amazon.com/gp/product/0300033540/?tag=2022091-20
1985
(Preface by David A. Ross Endgame provides the first compr...)
Preface by David A. Ross Endgame provides the first comprehensive discussion of two interrelated groups of artists who have recently emerged amidst brisk critical debate and who all, in various ways, represent a critique of the commodity, or the commodification of art objects.
https://www.amazon.com/Endgame-Reference-Simulation-Painting-Sculpture/dp/0262521180/?tag=2022091-20
1987
(In this illuminating book, a prominent art historian expl...)
In this illuminating book, a prominent art historian explores the links between avant-garde art and modern mass culture, showing that the connections between the two have always been strong, and even necessary to both. The author recounts vivid episodes involving Jackson Pollock, Andy Warhol, Christopher Williams, and many others, arriving at fresh and original insights into modern art and its place in late twentieth-century culture.
https://www.amazon.com/Modern-Common-Culture-Thomas-Crow/dp/0300076495/?tag=2022091-20
1996
(One of Thomas Crow’s most influential titles, The Rise of...)
One of Thomas Crow’s most influential titles, The Rise of the Sixties, first published in 1996, provides an excellent overview of the major themes and figures in one of art history’s most radical and complicated decades. Presenting an international array of artists against the background of world events in the 1960s, Crow portrays the ways in which the American art scene - including such key figures as Leo Castelli, Eva Hesse, Jasper Johns, and others.
https://www.amazon.com/Rise-Sixties-American-European-Dissent/dp/0300106831
1996
(With this book, Thomas Crow contributes a refreshing anal...)
With this book, Thomas Crow contributes a refreshing analysis of the present state of art history, the practice of interpreting art and making it "intelligible." He aims to relocate the discussion of theory and method in art history away from models borrowed from other disciplines by presenting what he considers three of the most successful and challenging works in the literature of art history.
https://www.amazon.com/Intelligence-Bettie-Allison-Lectures-History/dp/0807824534/?tag=2022091-20
1999
(This comprehensive survey examines the fertile and divers...)
This comprehensive survey examines the fertile and diverse output of California artists during an extraordinary period of American history. Examining art-making in California during a tumultuous transitional period, this catalog accompanying a remarkable exhibition features approximately 125 California artists working in a wide array of media: from installation art to representational painting, from conceptual art to performance art, and from video to photography.
https://www.amazon.com/gp/product/3791351397/?tag=2022091-20
2011
(John Chamberlain: New Sculpture was published in conjunct...)
John Chamberlain: New Sculpture was published in conjunction with two exhibitions by the venerable sculptor at Gagosian Gallery’s New York and London venues. Chamberlain is best known for his distinctive metal sculptures, constructed from discarded automobile-body parts and other modern industrial detritus, which he began making in the late 1950s. His works boldly contrast the everyday, industrial origin of materials with a cumulative formal beauty, often underscored by the given paint finish of the constituents.
https://www.amazon.com/gp/product/0847837661/?tag=2022091-20
2011
(Thomas Crow’s No Idols: The Missing Theology of Art tackl...)
Thomas Crow’s No Idols: The Missing Theology of Art tackles a pervading blindspot in today’s art-historical inquiry: religion. Crow pursues a perhaps unpopular notion of Christianity’s continued presence in modern abstract art and in the process makes a case for art’s own terrain of theology: one that eschews idolatry by means of abstraction.
https://www.amazon.com/gp/product/B0732SJ3J8/?tag=2022091-20
2017
Thomas Crow was born in 1948, in Chicago, Illinois.
Thomas Crow studied at Pomona College, where he earned a Bachelor of Arts in 1969. He continued his education in the University of California, Los Angeles, where he earned both Master of Arts in 1975 and a Ph.D. in 1978.
Thomas E. Crow is an art historian and critic whose works defy easy summarization. His essays on issues involving the social and aesthetic aims of artworks range widely, from the eighteenth century through the modern era. As Roger Malbert noted in the Times Literary Supplement, Crow's “exemplary texts are all firmly grounded in the empirical study of particular objects/' Crow's first books Painters and Public Life in Eighteenth-Century Paris concern the schools of painting in eighteenth-century France, including the French Revolution. More recently he has discussed the production of art in a cultural context, from the uses of art for political purposes in the 1960s to the commercial and social imperatives placed upon art in the modern world.
Crow's career includes work at California Institute of the Arts, Valencia, California, where he worked from 1977 to 1978 as an instructor in critical studies. Later he was employed at the University of Chicago, Chicago, Illinois, as an assistant professor of history of art from 1978 to 1980. At Princeton University, Princeton, New Jersey Crow worked as an assistant professor of art and archaeology from 1980 to 1986. Later he changed his place of work to the University of Michigan, Ann Arbor, Michigan, where he worked as an associate professor of history of art from 1986 to 1990. At the University of Sussex, Sussex, England, he worked as a professor of history of art and a chairman of the department from 1990 to 1996. His career continues with Yale University, New Haven, Connecticut, where he was a Robert Lehman Professor of the History of Art from 1996 to 2000, and department chairman from 1997 to 2000. At Getty Research Institute, University of Southern California, Los Angeles, Crow works as a director from 2000 to 2007. He also works as a lecturer at symposia on artists and art history. In September 2007 he became the Rosalie Solow Professor of Modern Art at New York University's Institute of Fine Arts.
Through the course of his career, Thomas Crow achieved a position of the Rosalie Solow Professor of Modern Art, and Associate Provost for the Arts at New York University. He has authored two influential studies of eighteenth-century French painting: Painters and Public Life in Eighteenth-Century Paris (1985) and Emulation: Making Artists for Revolutionary France (1995).
(One of Thomas Crow’s most influential titles, The Rise of...)
1996(In this illuminating book, a prominent art historian expl...)
1996(The book describes how the eighteenth century open Salon ...)
1985(With this book, Thomas Crow contributes a refreshing anal...)
1999(John Chamberlain: New Sculpture was published in conjunct...)
2011(This comprehensive survey examines the fertile and divers...)
2011(Thomas Crow’s No Idols: The Missing Theology of Art tackl...)
2017(Preface by David A. Ross Endgame provides the first compr...)
1987Thomas Crow was a senior fellow at the Michigan Society of Fellows from 1987 to 1990 and a fellow of the National Endowment for the Humanities from 1988 to 1989.