Whims and Oddities, in Prose and Verse: Second Series, with Forty Original .
(This book, "Whims and Oddities, in Prose and Verse: Secon...)
This book, "Whims and Oddities, in Prose and Verse: Second Series, with Forty Original .", by Thomas Hood, is a replication of a book originally published before 1829. It has been restored by human beings, page by page, so that you may enjoy it in a form as close to the original as possible. This book was created using print-on-demand technology. Thank you for supporting classic literature.
The Choice Works of Thomas Hood in Prose and Verse
(This work has been selected by scholars as being cultural...)
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
(This book, "The dream of Eugene Aram: the murderer", by T...)
This book, "The dream of Eugene Aram: the murderer", by Thomas Hood, is a replication. It has been restored by human beings, page by page, so that you may enjoy it in a form as close to the original as possible. This book was created using print-on-demand technology. Thank you for supporting classic literature.
Hood's Own; Or, Laughter from Year to Year. Being a Further Collection of His Wit and Humour
(Unlike some other reproductions of classic texts (1) We h...)
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
(
This work has been selected by scholars as being cultur...)
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
(
This work has been selected by scholars as being cultur...)
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Thomas Hood was an English poet, author and humorist, best known for poems such as "The Bridge of Sighs" and "The Song of the Shirt".
Background
He was born in London on the 23rd of May 1799 to Thomas Hood and Elizabeth Sands in the Poultry (Cheapside) above his father's bookshop.
Hood's paternal family had been Scottish farmers from the village of Errol near Dundee. The elder Hood was a partner in the business of Verner, Hood and Sharp, a member of the Associated Booksellers. Hood's son, Tom Hood, claimed that his grandfather had been the first to open up the book trade with America and he had great success with new editions of old books.
Career
The Plea of the Midsummer Fairies (1827) and a dramatic romance, Lamia, published later, belong to this time.
There was much true poetry in the verse, and much sound sense and keen observation in the prose of these works; but the poetical feeling and lyrical facility of the one, and the more solid qualities of the other, seemed best employed when they were subservient to his rapid wit.
Under that somewhat frivolous title he treated all the leading events of the day in a fine spirit of caricature, entirely free from grossness and vulgarity, without a trait of personal malice, and with an under-current of true sympathy and honest purpose that will preserve these papers, like the sketches of Hogarth, long after the events and manners they illustrate have passed from the minds of men.
Now it is true that the critic must be unconscious of some of the subtlest charms and nicest delicacies of language who would exclude from humorous writing all those impressions and surprises which depend on the use of the diverse sense of words.
In another annual called the Gem appeared the poem on the story of " Eugene Aram, " which first manifested the full extent of that poetical vigour which seemed to advance just in proportion as his physical health declined.
Woman, in her wasted life, in her hurried death, here stands appealing to the society that degrades her, with a combination of eloquence and poetry, of forms of art at once instantaneous and permanent, and with great metrical energy and variety.
Nine years after a monument, raised by public subscription, in the cemetery of Kensal Green, was inaugurated by Monckton Milnes (Lord Houghton) with a concourse of spectators that showed how well the memory of the poet stood the test of time.
Artisans came from a great distance to view and honour the image of the popular writer whose best efforts had been dedicated to the cause and the sufferings of the workers of the world; and literary men of all opinions gathered round the grave of one of their brethren whose writings were at once the delight of every boy and the instruction of every man who read them.
This was the lesson that Thomas Hood left behind him.
The house where Hood died, No. 28 Finchley Road, in the St. John's Wood area of London, now has a blue plaque.
His installation into this congenial post at once introduced him to the best literary society of the time; and in becoming the associate of Charles Lamb, Cary, de Quincey, Allan Cunningham, Troctor, Talfourd, Hartley Coleridge, the peasant-poet Clare and other contributors to the magazine, he gradually developed his own intellectual powers, and enjoyed that happy intercourse with superior minds for which his cordial and genial character was so well adapted, and which he has described in his best manner in several chapters of Hood's Own.
Personality
Hood, never robust, lapsed into invalidism by the age of 41 and died at the age of 45.
Quotes from others about the person
On the death of her husband in 1811 Mrs Hood removed to Islington, where Thomas Hood had a schoolmaster who appreciated his talents, and, as he says, " made him feel it impossible not to take an interest in learning while he seemed so interested in teaching. "
William Michael Rossetti in 1903 called him "the finest English poet" between the generations of Shelley and Tennyson.
Connections
He had married in 1825, and Odes and Addresses-his first work-was written in conjunction with his brother-in-law Mr J. H. Reynolds, the friend of Keats.
This was done without delay, and the pension was continued to his wife and family after his death, which occurred on the 3rd of May 1845.