Thomas Schippers Edit Profile
After graduating from high school at age 13, he attended the Curtis Institute and the Juilliard School.
He was highly regarded for his work in opera. He began playing piano at age four. Schippers made his debut at the New York City Opera at age twenty-one, and the Metropolitan Opera at twenty-five.
He conducted world premieres of now well known music by Gian Carlo Menotti and Samuel Barber. Schippers conducted in all the major opera houses of the United States and Europe, most notably the Metropolitan Opera and La Scala, and founded Italy's Spoleto festival with Menotti and once described his perfect orchestra as being composed of "One-third Italian musicians for their line, one-third Jewish for their sound, a sprinkling of Germans for solidity."
Schippers was a regular conductor with the New York Philharmonic and the Chicago Symphony Orchestra, and made recordings with them as well, but in 1970 he finally took a full-time orchestral position with the Cincinnati Symphony Orchestra, succeeding his predecessor at the Metropolitan Opera, Max Rudolf. After making several recordings with them and building the orchestra's international reputation, his career was cut short by his death from lung cancer at forty-seven in 1977 in New York City, New York.
During the 1970s, he was appointed principal conductor of l'Orchestra dell'Accademia Nazionale di Santa Cecilia but he made only one concert with the orchestra (in May 1976, Ravel, Ma Mère l'Oye i a). He made many opera recordings in his time, and live recordings of his performances are gradually being made available on CD. His studio recording of Lucia di Lammermoor by Gaetano Donizetti with Beverly Sills and Carlo Bergonzi was the first recording in which the glass harmonica was used in the mad scene. He was a National Patron of Delta Omicron, an international professional music fraternity.
Member National Council Arts, 1975-1977.
Married Elaine Lane Phipps, April 1965 (deceased.