Background
Maschio, Thomas Joseph was born on December 10, 1955 in Brooklyn. Son of Michael Frank and Jeanette (Finale) Maschio.
( As he challenges classical semiological accounts of cul...)
As he challenges classical semiological accounts of cultural representation in this ethnography of Melanesian religious phenomenology, Thomas Maschio shows that ritual and poetic performance are about the enactment, expression, and invention of the self. Maschio demonstrates how such emotions as nostalgia, anger, sadness, and grief are creatively transformed during the course of religious performance and expression into a form of cultural memory—one that juxtaposes a pattern of cultural meaning with the emotional feeling of plenitude the Melanesian Rauto call makai. Evoked during initiation, mourning, and agricultural rites, and figuring prominently in Rauto discourse about the self, makai joins personal memory to patterned sets of images and meanings that Westerners would call culture.
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cultural anthropology educator
Maschio, Thomas Joseph was born on December 10, 1955 in Brooklyn. Son of Michael Frank and Jeanette (Finale) Maschio.
Bachelor, Columbia College, 1977; Master of Arts, New York University, 1982; Doctor of Philosophy, McMaster U., 1989.
Adjunct Professor, The American Museum Natural History, New York City, 1989-1990; Adjunct Professor, New York University, New York City, 1989-1990; research fellow, East-West Center, Honolulu, 1990-1991; ajd. professor anthropology, Bloomfield (New Jersey) College, 1992; freelance proofreader, Random House, New York City, 1993; researcher in ethnographic and entertainment films, Fujisankei Communications, New York City, 1995-1996. Anthropological researcher Fulbright Hays Program, Papua, New Guinea, 1985-1986, Center for Intercultural Studies, Papua, New Guinea, 1990.
( As he challenges classical semiological accounts of cul...)
Member American Anthropological Association, American Ethnological Society.
Married Coralie Cooper, December 26, 1988.