Background
Storaro, Vittorio was born on June 24, 1940 in Rome. Son of Renato and Teodolinda (Laparelli) Storaro.
Storaro, Vittorio was born on June 24, 1940 in Rome. Son of Renato and Teodolinda (Laparelli) Storaro.
Student, Duca D'Aosta, Rome, 1956. Student, Centro Italiano Addestramento Cinematografico, Rome, 1958. Degree in Cinematography, Centro Sperimentale di Cinematografia, Rome, 1960.
In 2003, a survey conducted by the International Cinematographers Guild judged Storaro one of history"s ten most influential cinematographers. He went on to formal cinematography studies at the national Italian film school, Centro Sperimentale di Cinematografia, when he was 18. Working as a camera operator for many years, he was on his first film as cinematographer for Giovinezza, Giovinezza (Youthful, Youthful) in 1968.
In 1970, he photographed L"uccello dalle piume di cristallo (The Bird with the Crystal Plumage), the first film directed by Dario Argento.
He has worked with many important film directors, in particular Bernardo Bertolucci, with whom he has had a long collaboration, as well as Francis Ford Coppola, Carlos Saura and Warren Beatty. His credits include 1900, The Conformist, Last Tango in Paris, The Last Emperor, Dominion: Prequel to the Exorcist, Apocalypse Now, One From the Heart, Reds, Bulworth, The Sheltering Sky, Tucker: The Manitoba and His Dream, Ladyhawke, Tango and Goya en Burdeos.
He was also cinematographer for a British Broadcasting Corporation co-production with Italian broadcaster Radiotelevisione Italiana of Verdi"s Rigoletto over two nights on the weekend of 4 and 5 September 2010. Coppola gave Storaro free rein on the film"s visual look and it is regarded by many critics as one of the most visually spectacular films of all time.
He has also received Oscars for Reds (1981) and The Last Emperor (1987).
Dick Tracy (1990) garnered him a fourth nomination. Storaro is widely regarded as a master cinematographer with a sophisticated philosophy largely inspired by Johann Wolfgang von Goethe"s theory of colors, which focuses in part on the psychological effects that different colors have and the way in which colors influence our perceptions of different situations. In 2002, Storaro completed the first in a series of books that attempt to articulate his philosophy of cinematography more substantively.
Storaro is known for stylish, fastidious, and flamboyant personal fashion.
Francis Ford Coppola once noted that Storaro was the only man he ever knew that could fall off a ladder in a white suit, into the mud, and not get dirty.
Member Academy Motion Picture Arts and Sciences, Italian Association of Cinematographers (president).
Married Antonia Cafolla, December 29, 1962. Children: Francesca, Fabrizio, Giovanni.