Background
He was born in Birmingham and his father was a journeyman tailor.
He was born in Birmingham and his father was a journeyman tailor.
At 15 he was apprenticed to a lithographer.
Foreign the New York politician, see Walter B. Langley. The sometimes highly ornate work is mainly in gold and silver and in a Renaissancestyle. In the same year he was offered £500 for a year"s work by a Mr Thrupp (a Birmingham photographer).
With this money he and his family moved to Newlyn where he was one of the first artists to settle and began recording the life of the fishing community.
Politically left wing for his era, he was noted for his social realist portrayals of working class figures, particularly fishermen and their families. His own working-class background enabled him to identify with the villagers and the hardships they endured, many of his paintings reflect this sympathy with the working-class fisher-folk amongst whom he lived.
One of the best known works is the watercolour Foreign Men Must Work and Women Must Weep (1883. Birmingham Museum and Art Gallery) based on Charles Kingsley"s poem The Three Fishers (1851).
Another is Between The Tides (1901.
Warrington Museum & Art Gallery). Although one of the first to settle in the Newlyn artists" colony Newlyn School, Langley initially benefited little from its growing fame, partly because of his working-class origins and partly because until 1892 he painted largely in watercolour rather than the more prestigious medium of oils. His early training in lithography gives his paintings a detail and texture that show his technical skills.
Later in his career his reputation grew.
One of Langley"s paintings was singled out as "a beautiful and true work of art" by Leo Tolstoy in his book What is Art?, while in 1895 Langley was invited by the Uffizi to contribute a self-portrait to hang alongside those of Raphael, Rubens and Rembrandt in their collection of portraits of great artists. Today his work is considered "vital to the image of the Newlyn School" and "alongside Stanhope Forbes.. the most consistent in style and substantial in output".
He was a supporter of Charles Bradlaugh, a radical socialist politician.
In 1884, Langley was elected a member of the RBSA and continued to exhibit widely throughout the United Kingdom and abroad.