The Trouble with Diversity: How We Learned to Love Identity and Ignore Inequality

( "A withering examination of how the celebration of cult...)

"A withering examination of how the celebration of cultural and ethnic difference obscures our yawning economic divide . . . This is a refreshing, angry, and important book." --The Atlantic Monthly Acclaimed as "eloquent" (Chicago Tribune), "cogent" (The New Yorker), and "impossible to disagree with" (The Washington Post); excoriated as a "wildly implausible" product of "the 'shock and awe' school of political argument" (Slate), The Trouble with Diversity argues that our enthusiastic celebration of "difference" masks our neglect of the difference that really matters--the one between rich and poor. A magnificent skewer of pieties, Walter Benn Michaels takes on the many manifestations of our devotion--from affirmative action, to the worship of multiculturalism, to the obsession with heritage and identity--demonstrating that diversity offers a false vision of social justice, one that conveniently costs us nothing. In a daring break with both the left and the right, he calls for less attention to the illusory distinction of culture and more attention to the real discrepancies of class and wealth.

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The Shape of the Signifier: 1967 to the End of History

( The Shape of the Signifier is a critique of recent the...)

The Shape of the Signifier is a critique of recent theory--primarily literary but also cultural and political. Bringing together previously unconnected strands of Michaels's thought--from "Against Theory" to Our America--it anatomizes what's fundamentally at stake when we think of literature in terms of the experience of the reader rather than the intention of the author, and when we substitute the question of who people are for the question of what they believe. With signature virtuosity, Michaels shows how the replacement of ideological difference (we believe different things) with identitarian difference (we speak different languages, we have different bodies and different histories) organizes the thinking of writers from Richard Rorty to Octavia Butler to Samuel Huntington to Kathy Acker. He then examines how this shift produces the narrative logic of texts ranging from Toni Morrison's Beloved to Michael Hardt and Toni Negri's Empire. As with everything Michaels writes, The Shape of the Signifier is sure to leave controversy and debate in its wake.

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The Shape of the Signifier: 1967 to the End of History 1st edition by Michaels, Walter Benn (2004) Hardcover

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The Shape of the Signifier: 1967 to the End of History Paperback - October 29, 2006

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Our America: Nativism, Modernism, and Pluralism: 1st (First) Edition

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Our America: Nativism, Modernism, and Pluralism (Post-Contemporary Interventions) by Walter Benn Michaels (1997) Paperback

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(The American Renaissance Reconsidered) Author: Walter Benn Michaels published on (October, 1989)

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Our America: Nativism, Modernism, and Pluralism (Post-Contemporary Interventions)

( Arguing that the contemporary commitment to the importa...)

Arguing that the contemporary commitment to the importance of cultural identity has renovated rather than replaced an earlier commitment to racial identity, Walter Benn Michaels asserts that the idea of culture, far from constituting a challenge to racism, is actually a form of racism. Our America offers both a provocative reinterpretation of the role of identity in modernism and a sustained critique of the role of identity in postmodernism. “We have a great desire to be supremely American,” Calvin Coolidge wrote in 1924. That desire, Michaels tells us, is at the very heart of American modernism, giving form and substance to a cultural movement that would in turn redefine America’s cultural and collective identity—ultimately along racial lines. A provocative reinterpretation of American modernism, Our America also offers a new way of understanding current debates over the meaning of race, identity, multiculturalism, and pluralism. Michaels contends that the aesthetic movement of modernism and the social movement of nativism came together in the 1920s in their commitment to resolve the meaning of identity—linguistic, national, cultural, and racial. Just as the Johnson Immigration Act of 1924, which excluded aliens, and the Indian Citizenship Act of the same year, which honored the truly native, reconceptualized national identity, so the major texts of American writers such as Cather, Faulkner, Hurston, and Williams reinvented identity as an object of pathos—something that can be lost or found, defended or betrayed. Our America is both a history and a critique of this invention, tracing its development from the white supremacism of the Progressive period through the cultural pluralism of the Twenties. Michaels’s sustained rereading of the texts of the period—the canonical, the popular, and the less familiar—exposes recurring concerns such as the reconception of the image of the Indian as a symbol of racial purity and national origins, the relation between World War I and race, contradictory appeals to the family as a model for the nation, and anxieties about reproduction that subliminally tie whiteness and national identity to incest, sterility, and impotence.

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