Background
He was the son of William Austin, the religious writer, and was a barrister of Gray"s Inn, London.
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William Austin
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On the marriage of Charles II with Catherine of Braganza, Austin wrote two poems to celebrate the union, which were "presented to their majesties" on their passage down the Thames from Hampton Court to Whitehall (23 August 1662). The first was entitled A Joyous Welcome to the most Serene and most Illustrious Queen of Brides, Catherine the Royal Spouse and Consort of Charles II (London, 1662 folio), and the second Triumphus Hymenæus, London"s solemn Jubilee for the most auspicious Nuptials of their great Sovereign, Charles the Second (London, 1662, folio). Both poems were elaborately printed, and are now highly prized as bibliographical rarities.
They are full of bombastic eulogy, and are crowded with classical allusions, explained in voluminous and learned notes.
In an address to the reader Austin not inaptly refers to his work as "this thatcht Tugurium of Poesie."
In 1664 he produced a doggerel poem of similar calibre, bearing the title of An Heroick Poem by William Austin, of Gray"s Inn, Esq. London, printed for the author, 1664 (Octavo).
Almost every line is based on a classical quotation, which is printed in each case at the foot of the page. Austin"s most readable production is a prosaic description in verse of the Great Plague of London.
Its title runs: Ἑπιλοωα επη or the A Poem in three parts, describing the deplorable condition of the city of London under its merciless dominion, 1665.
What the Plague is, together with the causes of lieutenant As also, the Prognosticks and most eftectual meanes of safety both preservative and curative. By William Austin, of Grayes Inne, Esq.
(London, 1666, Octavo) In an address to the reader it is stated that the poem was written at the request of "very worthy persons in the countrey at the time of the sickness when the mortality in London" reached "seven or eight thousand a week with some hundreds over and above." Although Austin here dispenses with classical allusions and annotations, he employs a number of Latin and Greek words in a slightly anglicised form.
A portrait of the author is prefixed to the volume. Austin was buried in the parish church of Southwark, near the monument of his father, but the year of his death is uncertain.
