Background
Little is known for certain of Halfpenny's life, but he seems to have been based in Richmond, then in Surrey, and nearby London, perhaps also spending a period based in Bristol.
( The 18th century was a wealth of knowledge, exploration...)
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ Bodleian Library (Oxford) T166817 With an initial advertisement leaf. London : printed for, and sold by Robert Sayer, 1753. 2,14p.,plates ; 8°
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(Excerpt from Magnum in Parvo, or the Marrow of Architectu...)
Excerpt from Magnum in Parvo, or the Marrow of Architecture: Shewing How to Draw a Column With Its Base, Capital, Entablature, and Pedestal Two Grooves, the one about 8 Inches broad, near and parallel to the Edge c d 5 the Other, about 4. Inches broad, and parallel to the Edge 4 d. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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( This work has been selected by scholars as being cultur...)
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( The 18th century was a wealth of knowledge, exploration...)
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library T126585 Contains plates numbered 15-28. In: his 'Rural architecture in the Chinese taste', London, 1755?. London : printed for Robert Sayer, 1755?. 8p.,plates ; 8°
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architect builder designer writer author
Little is known for certain of Halfpenny's life, but he seems to have been based in Richmond, then in Surrey, and nearby London, perhaps also spending a period based in Bristol.
Few buildings can certainly be ascribed to Halfpenny, and no major ones; then and now his main importance lies in his books, which were often reprinted, and copied by other authors. They reached British North America and were also influential there. He wrote and probably built in collaboration with his son John Halfpenny in the later years of his career. His books, of which he published a score, deal almost entirely with domestic architecture, and especially with country houses in those Gothic and Chinese fashions which were so greatly in vogue in the middle of the 18th century. His most important publications, from the point of view of their effect upon taste, were New Designs for Chinese Temples, in four parts (1750-1752); Rural Architecture in the Gothic Taste (1752); Chinese and Gothic Architecture Properly Ornamented (1752); and Rural Architecture in the Chinese Taste (1750-1752). New Designs for Chinese Temples is a volume of some significance in the history of furniture, since, having been published some years before the books of Thomas Chippendale and Sir Thomas Chambers, it disproves the statement so often made that those designers introduced the Chinese taste into this country. Halfpenny states distinctly that "the Chinese manner" had been "already introduced here with success. " The work of the Halfpennys was by no means all contemptible. It is sometimes distinctly graceful, but is marked by little originality.
(Excerpt from Magnum in Parvo, or the Marrow of Architectu...)
( The 18th century was a wealth of knowledge, exploration...)
( The 18th century was a wealth of knowledge, exploration...)
( This work has been selected by scholars as being cultur...)
Son
John Halfpenny