Background
William MacKay Laffan was born in Dublin, Ireland, the son of Michael and Ellen Sarah FitzGibbon Laffan.
( A sweeping survey of the arts of Ireland spanning 150 y...)
A sweeping survey of the arts of Ireland spanning 150 years and an astonishing range of artists and media This groundbreaking book captures a period in Ireland’s history when countless foreign architects, artisans, and artists worked side by side with their native counterparts. Nearly all of the works within this remarkable volume—many of them never published before—have been drawn from North American collections. This catalogue accompanies the first exhibition to celebrate the Irish as artists, collectors, and patrons over 150 years of Ireland's sometimes turbulent history. Featuring the work of a wide range of artists—known and unknown—and a diverse array of media, the catalogue also includes an impressive assembly of essays by a pre-eminent group of international experts working on the art and cultural history of Ireland. Major essays discuss the subjects of the Irish landscape and tourism, Irish country houses, and Dublin’s role as a center of culture and commerce. Also included are numerous shorter essays covering a full spectrum of topics and artworks, including bookbinding, ceramics, furniture, glass, mezzotints, miniatures, musical instruments, pastels, silver, and textiles.
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(This book was originally published prior to 1923, and rep...)
This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.
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( This work has been selected by scholars as being cultur...)
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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William MacKay Laffan was born in Dublin, Ireland, the son of Michael and Ellen Sarah FitzGibbon Laffan.
He was educated at H. T. Humphrey's school at Blackrock and prepared for Dublin University at French College, Booterstown. After leaving Trinity College, Dublin University, he studied for a short time at St. Cecilia's School of Medicine.
His interest in art had already shown itself and Laffan was artist to the Pathological Society of Dublin. At the age of twenty he was attracted by journalism and went to San Francisco, where as a reporter he exhibited a knack for humorous description. He became the first city editor of the San Francisco Chronicle when it was established in the latter part of 1868. With his own pencil he provided for the Chronicle the first illustrated journalism on the Pacific Coast. His service on the Chronicle and later as managing editor of the San Francisco Bulletin made him quickly familiar with many angles of practical newspaper work.
In 1870 Laffan went to Baltimore, where he worked as a reporter and soon became editor of the Baltimore Daily Bulletin, the ownership of which he later acquired. This newspaper, which became the Evening Bulletin, was devoted largely to art, literature, and science.
In 1877 he moved to New York City and was taken on the Sun by Charles A. Dana as dramatic critic. From that time until his death, with the exception of two years spent as art editor and general representative of Harper Brothers in London, his literary career was with the Sun. He became its publisher in 1884 and in 1887 he started the Evening Sun. Dana died in 1897 and on February 22, 1902, Laffan's name appeared in the Sun's editorial masthead as proprietor. Through his friendship with J. Pierpont Morgan he had been able to buy the control of the newspaper. Although the editorial direction of the paper remained with Edward Page Mitchell, who had been Dana's chief editorial writer for many years, Laffan was active in the supervision of every department. He wrote occasionally for the editorial columns, usually some brief and striking paragraph.
In 1904 he announced the Sun's support of President Roosevelt, whom the Sun had frequently opposed, in five words: "Theodore, with all thy faults--. " Except to his intimates he was a mysterious figure. His pride was so great as to exclude the ordinary vanities. He disliked publicity and avoided public appearances.
He was one of the group of connoisseurs assembled by J. P. Morgan when the latter became president of the Metropolitan Museum of Art in 1904. Laffan was elected a trustee in 1905. As the principal art adviser of J. P. Morgan and Henry Walters, Laffan was responsible for the purchase of millions of dollars worth of treasures that were sent from Europe to American collections. He had much to do with the Metropolitan Museum's first archeological campaign in Egypt and when seized with his last illness was planning similar explorations in Mesopotamia. J. P. Morgan's will established in his honor the Laffan Professorship of Assyriology and Babylonian Literature at Yale University.
Laffan was known as the publisher and editor of the New York Sun. He was the founder of "Evening Sun" and Sun News Service. In art Laffan won high rank. His "Engravings on Wood" was published by Harpers in 1887. In 1897 he published "Oriental Ceramic Art" and in 1907 he edited the "Catalogue of the Morgan Collection of Chinese Porcelains".
( A sweeping survey of the arts of Ireland spanning 150 y...)
(This book was originally published prior to 1923, and rep...)
( This work has been selected by scholars as being cultur...)
( This work has been selected by scholars as being cultur...)
Quotes from others about the person
He had a "Celtic temperament that boiled at low temperature, boiling behind a physiognomy betokening a habit of control imperturbable as ice at zero. His hatreds were so passionate that he could discern precious little good in the fiercely hated; no woman could be more tenderly considerate when affection existed" (Mitchell, post, p. 353)
"There was no department of art to which he was not sympathetic and no department in which he had not expert knowledge" (R. W. De Forest, "Mr. Laffan's Part in the Development of the Metropolitan Museum, " the Sun, Nov. 20, 1909, p. 6)
In 1872 Laffan married Georgiana Ratcliffe of Baltimore.