Background
Spearing, Anthony Colin was born on January 31, 1936 in London. Came to the United States, 1987. Son of Frederick and Gertrude (Calnin) Spearing.
(A study of the four great Middle English poems, Sir Gawai...)
A study of the four great Middle English poems, Sir Gawain and the Green Knight, Pearl, Patience and Purity, which are in the same manuscript and are usually attributed to the same anonymous poet. After a general chapter devoted to the poet and his background, Mr Spearing turns to the poems, analysing each closely, paying particular attention to details of style, tone and approach, and commenting on what they have in common and the ways in which they diverge.
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(This scarce antiquarian book is a facsimile reprint of th...)
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
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(Readings in Medieval Poetry is a linked collection of ess...)
Readings in Medieval Poetry is a linked collection of essays on such poems as the Song of Roland, King Horn, Havelok, Sir Orfeo, Chaucer's Book of the Duchess, House of Fame and Troilus and Criseyde, the alliterative Morte Arthure, The Siege of Jerusalem, Purity, Pearl, Sir Gawain and the Green Knight, and Piers Plowman. The connecting purpose is to open up a variety of kinds of medieval poetry to modern readers; and, while the methods used vary with the kinds of poetry being discussed, they frequently involve, along with historical treatments in terms of medieval practices and systems of ideas, the adoption and adaptation of theoretical frameworks borrowed from outside the medieval field.
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(While love is private, and in medieval literature especia...)
While love is private, and in medieval literature especially is seen as demanding secrecy, to tell stories about it is to make it public. Looking, often accompanied by listening, is the means by which love is brought into the public realm and by which legal evidence of adulterous love can be obtained. Medieval romances contain many scenes in which secret watchers and listeners play leading roles, and in which the problematic relation of sight to truth is a central theme. The effect of such scenes is to place the poem's audience as secret watchers and listeners; and in later medieval narratives, as the role of the storyteller comes to be realized, the poet too sees himself in the undignified role of a voyeur. A. C. Spearing's book explores these and related themes, first in relation to medieval and modern theories and instances of looking, and then through a series of readings of romances and first-person narratives, including works by Beroul, Gottfried von Strassburg, Chrétien de Troyes, Marie de France, Chaucer, Lydgate, Douglas, Dunbar, and Skelton. Its focus on looking also leads to the recovery of some less well-known works such as Partonope of Blois and The Squire of Low Degree. The general approach is psychoanalytic, but the reading of specific medieval texts always has primacy, and this in turn makes possible a running critique of current conceptions of the gaze in relation to power and gender.
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(This is the first critical book to study in depth the tra...)
This is the first critical book to study in depth the transition from the 'medieval' to the 'Renaissance' periods in English literature. What exactly, in a literary context, do those terms designate? Mr Spearing argues that, far from being fixed determinants, they demand careful critical reappraisal. He rewrites the literary history of the period from Chaucer to the early Spenser in a way that puts new emphasis on the importance of Chaucer's influence on a tradition which in many important respects began with him. Many literary and cultural qualities, normally considered 'Renaissance', can be seen to have their origins, so far as the English tradition is concerned, in Chaucer's contacts with Italian culture. This book shows how Chaucer can be regarded as a Renaissance poet whose work was medievalised by his admiring successors. Traditions other than the Chaucerian are examined in this light, and the author engages with the larger problems of literary history through the detailed analysis of specimen texts.
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(The Cloud of Unknowing and Other Works (Classic, Modern, ...)
The Cloud of Unknowing and Other Works (Classic, Modern, Penguin) Paperback Anonymous (Author), A. C. Spearing (Translator)
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(This book investigates how subjectivity is encoded in the...)
This book investigates how subjectivity is encoded in the texts of a wide variety of medieval narratives and lyrics--not how they express the subjectivity of individuals, but how subjectivity, escaping the bounds of individuality, is incorporated in the linguistic fabric of their texts. Most of the poems discussed are in English, and the book includes analyses of Chaucer's Troilus and Criseyde, Man of Law's Tale, and Complaint Unto Pity, the works of the Pearl poet, Havelok the Dane, the lyric sequence attributed to Charles of Orleans (the earliest such sequence in English), and many anonymous poems. It also devotes sections to Ovid's Heroides and to poems by the troubadour Bernart de Ventadorn. For the first time, it brings to bear on medieval narratives and lyrics a body of theory which denies the supposed necessity for literary texts to have narrators or "speakers," and in doing so reveals the implausibilities into which a dogmatic assumption of this necessity has led much of the last century's criticism.
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Spearing, Anthony Colin was born on January 31, 1936 in London. Came to the United States, 1987. Son of Frederick and Gertrude (Calnin) Spearing.
Master of Arts, Cambridge University, England, 1960.
W.M. Tapp research fellow Gonville-Caius College Cambridge University, 1959-1960, assistant lecturer in English, 1960-1964, official fellow Queens' College, 1960-1987, life fellow, since 1987, director studies in English, 1967-1985, lecturer in English, 1964-1985, reader in medieval English literature, 1985-1987. Visiting professor English University Virginia, Charlottesville, 1979-1980, 84, professor English, 1987-1989, Kenan professor English, since 1989. William Matthews lecturer Birkbeck College, London, 1983—1984.
Invited lecturer numerous colleges universities England, Europe, Canada, United States. Lansdowne visiting fellow University Victoria, 1993. Benjamin Meaker visiting professor University Bristol, 2003.
Conway lecturer University Notre Dame, 2007.
(Readings in Medieval Poetry is a linked collection of ess...)
(This book investigates how subjectivity is encoded in the...)
(A 1976 study of the medieval English dream-poem, set agai...)
(A study of the four great Middle English poems, Sir Gawai...)
(While love is private, and in medieval literature especia...)
(This is the first critical book to study in depth the tra...)
(The Cloud of Unknowing and Other Works (Classic, Modern, ...)
(This scarce antiquarian book is a facsimile reprint of th...)
(Book by Chaucer)
Member Medieval Academy American, International Association University Professors English, New Chaucer Society (trustee 1986-1990).