Background
Knapp, Bettina Liebowitz was born on May 9, 1926 in New York City. Daughter of David and Emily (Gresser) Liebowitz.
(In this book Knapp addresses how plays were produced in P...)
In this book Knapp addresses how plays were produced in Paris at the time by some of the greatest geniuses the theatre has ever known.
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( This book is the first to apply systematically Jungian...)
This book is the first to apply systematically Jungian psychology to the study of literature throughout the ages. The ten essays are purposefully different, illustrating the universality of Jungian archetypal analysis and criticism. The book has been divided into seven sections: the first five follow chronological order from Euripides to Goethe and finally Yeats; the sixth and seventh are presented separately because they explore unique psychological experiences. Each essay is divided into two parts: an ectypal and an archetypal analysis of the works discussed. The ectypal section presents a brief historical summary of the period, acquainting readers with appropriate facts concerning the author’s environment. The archetypal analysis, however, is the most important aspect of A Jungian Approach to Literature. Archetypes, contained in the collective unconscious, exist at the deepest level within the subliminal realm. They are made manifest in archetypal (primordial) images: experienced in such universal motifs as the Great Mother, the Spiritual Father, Transformation, the Self, and others.” The Jungian archetypal approach to literature acts as a broadening force in the life experience.
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(The interaction between the writing process and musical m...)
The interaction between the writing process and musical motifs, systems of intensity, patterns of tonality, contrapuntal schemes, and multiple rhythms is obscure but fascinating. For some writers, Knapp tells us, sonorities flow archetypally from the unconscious, producing a nearly endless variety of resonant images and pulsations. Fresh feelings and innovative ideas are born. The creative writer uses to his advantage these paradoxically soundless and immobile rhythms, transliterating them into the written word.This volume analyzes twelve authors Houfmann, Balzac, Baudelaire, Tolstoy, Kandinsky, Joyce, Proust, Sartre, Yizhar, Bhasa, Hanqing, and Mishima whose works were influenced and determined by archetypal music. Knapp studies their reactions to personal and transpersonal voices emanating from their collective unconscious, and the manner in which choric and rhythmic sequences were used to heighten their art. The musical archetype governs the attitude and approach of the authors to their literary work and is the prime mover of its pace, pitch, and sequence.
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( "Altogether, the work is a delight, offering an unusual...)
"Altogether, the work is a delight, offering an unusual, provocative view on the disparate texts, with the added pleasure of lucid graceful prose." ―Journal of Modern Literature Bettina Knapp probes the nature, meaning, and use of the architectural metaphors and archetypes that pervade all literature.
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( An interdisciplinary work, comparative in nature, which...)
An interdisciplinary work, comparative in nature, which offers extensive and extremely significant information about the cultural context of each work studied as well as penetrating analyses of the characters and situations from the unique perspectives of the psychology/philosophy developed by C .G. Jung. Dr. Knapp here concentrates on García Lorca's Yerma, Elizabeth Bowen's The Death of the Heart, Isak Dinesen's "Peter and Rosa," Nathalia Ginzburg's All Our Yesterdays, Flannery O'Connor's Everything that Rises Must Converge, Jean Rhys's Wide Sargasso Sea, Nathalie Sarraute's Between Life and Death, Pa Chin's Family, Fumiko Enchi's Masks, and Anita Desai's Fire on the Mountain. This is an important book to scholars in women's studies, in the relation of psychology and literature, in religious studies and philosophy as the relate to women, and in the contemporary novel and world literature.
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(The brilliant and far-reaching comparative and interdisci...)
The brilliant and far-reaching comparative and interdisciplinary work explores the impact of the machine on the literary mind and its ramifications. Knapp displays an unusual command of world literatures in dealing with a topic that is of outstanding importance to a broad field of scholars and generalists, including those concerned with contemporary literature, comparative literature, and Jungian theory. It is very much in line with the current trend toward interdisciplinary studies. Knapp offers powerful and original analyses of texts by French, Irish, Japanese, Israeli, German, Polish, and American authors: Alfred Jarry, James Joyce, Stanislaw I. Witkiewicz, Luigi Pirandello, Antoine de Saint-Exupery, Juan Jose Arreola, S. Yizhar, Jiro Osaragi, N. K. Narayan, Peter Handke, and Sam Shepard. The authors explored here were deeply affected by the changes occurring in their lives and times and reacted to these ideationally and feelingly. In some of their writings, images, characters, and plots were used to create monstrous and robotlike individuals unable to accept the world around them and hence seeking to destroy it. Others of these writers attempted to understand and integrate the environmental, human, and mechanical alterations taking place about them, and to transform these into positive attributes. The realization of the increasing domination of the machine, we see, catalyzed and mobilized each author into action. Each in his own way spoke his mind, revealing the corrosive and beneficial factors in his world as he saw them.
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Knapp, Bettina Liebowitz was born on May 9, 1926 in New York City. Daughter of David and Emily (Gresser) Liebowitz.
Bachelor, Barnard College, 1947. Master of Arts, Columbia University, 1949. Doctor of Philosophy, Columbia University, 1956.
Certified, Sorbonne, 1947.
Lecturer Columbia University, 1952-1960. Professor Hunter College, since 1961, Graduate Center City University of New York, since 1961. Lecturer in field.
( An interdisciplinary work, comparative in nature, which...)
(The interaction between the writing process and musical m...)
(The brilliant and far-reaching comparative and interdisci...)
( "Altogether, the work is a delight, offering an unusual...)
(In this book Knapp addresses how plays were produced in P...)
( This book is the first to apply systematically Jungian...)
(Hardcover Edition)
Married Russell S. Knapp, August 28, 1949. Children: Albert, Charles.